Long-time Renoise fan Saine has just released his new album Long Time No See on both vinyl and digital formats on Helsinki-based Cymbidium Records. It’s a genre-blurring ride through downtempo beats, smooth instrumental excursions and deep late-night house vibes. We quizzed Saine on his approach to music making in general, with a particular focus on Renoise, naturally.
Hitori Tori, a.k.a. Canadian Renoise veteran Julian La Brooy has been kicking up a stir lately with his impressive videos of innovative Renoise jamming. See Hitori Tori – Renoise Techniques for some examples. We decided to get in touch for a little interview that should hopefully provide some more insight into his working process.
In:Depth exclusive interview Renoise user Kaneel, talking about his first commercial release “I’ve Sketched It A While Ago”.
A neat resource for beginners to check out when getting into the world of digital music production.
Using Renoise’s native effects to make your echoing sounds reach outer-space.
For about a year, I was limited to using Renoise on a measly Fujitsu Lifebook Series B circa 2000. In other words, a notebook designed for pure business use (think Microsoft Office only); an 8MB video card, 256MB of RAM under Windows 2000 powered by a 700Mhz Pentium III processor. If you look at the [...]
People have often asked me, “BYTE, how do you get such aggressive mixes on just a crappy laptop?”, to which I respond, “What the heck are you talking about? These mixes are awful! They’re wimpy as hell!” I know my sense of humour is dry and unfunny, but I do, however, have a few tips [...]
