The latest in our series of In:Depth interviewees should need no introduction. Since debuting on Dave Clarke’s label with some crunchy, abstract techno offerings in the early 90s, Cristian Vogel’s been continously keeping busy exploring everything from sound design to live improvisation to contemporary dance productions to good old wonky techno bangers.
And now he’s making a Renoise album. It’s called The Inertials and is a collection of “shiny new techno/electro with many layers of rhythm programming, sound design and microdetails to surprise, freak-out and delight” according to Cristian himself. Another unique aspect of this album is that it’s fan-funded via PledgeMusic. Of special interest to the Renoise crowd should be that by taking part in this funding process, you can get your hands on actual Renoise XRNS files of Cristian’s latest tracks among other things.
We are proud to present a new Renoise Release. Beta versions of our latest release are now available to all registered users at the Renoise Backstage. Everyone is invited to join our forums to welcome, discuss, tweak and help bug-fixing the new release.
Renoise 2.8 Features
Full 64-bit Support
Ever since our Linux users got a 64-bit version with Renoise 2.5, we’ve had a lot of requests for 64-bit support on all three platforms, and now it’s ready. Running the 64-bit version, the memory-hungry among you can now take full advantage of the available resources in your machine, allowing you to break the 4 GB barrier.
Renoise 2.8 also comes complete with a native plug-in bridge, allowing seamless usage of 32-bit instrument and effect plug-ins inside the 64-bit Renoise process, and vice versa.
64-bit versions for all platforms: Windows, OSX and Linux
Plug-in bridge allows 32-bit plug-ins to be used within 64-bit Renoise
Full Rewire 64-bit support
Reworked Pattern Matrix with Slot Aliases
Workflow has been the keyword for most of the 2.8 development cycle. Thanks to the revamped Pattern Matrix and sequencer, it’s now easier than ever to arrange your songs. By aliasing individual pattern slots, you can lay out complete tracks in no time. The new sections feature allows you to add structure and overview, while the streamlined sequencer helps to keep your project nice and tidy.
Alias individual pattern slots in the matrix, i.e. treat them like clips
Edit one slot and have changes propagate to all other aliases
Quickly clone or alias slots by dragging their edges
Use section headers to group parts of the song together
Track Groups & Collapsing
Another big workflow improvement is track grouping, which allows you to group related tracks together, and have each group share common effect chains. It’s now also possible to collapse tracks and groups, which can do wonders for the overview of large projects.
Group tracks into logical units, collapse them for better overview
Flexible routing of group tracks
Collapsed tracks use minimal space, while still providing a quick overview
Pattern effects in groups will affect all member tracks simultaneously
Automatically collapse all tracks except the one you are focussing on
Color code tracks with adjustable background colors
DSP Effects and Meta Devices
And what would a new Renoise release be without a few new DSP effects?
New DSP Multitap delay for spaced out filtered echo madness
New DSP Repeater for st-st-st-stuttery goodness
New DSP Exciter to make your mixes sparkle
New Meta Mixer allowing blending of modulation signals into one output
Improved EQs with bigger graphs and all values can be automated
Improved Send devices, which can now be individually panned
New and improved crossover filters for the Multi Send device
Sample Editor
The Sample Editor has also got its fair share of workflow improvements.
Left & right channels can be edited separately
Zoom level & current selection are remembered per sample
Significantly faster sample loading
Destructively render slices to individual samples
Improved keyboard and mouse selection handling
Improved marker and waveform display visibility
New and improved processing tools (mute selection, insert silence, invert phase, swap stereo channels and cross-fading loop creator)
Improved Spectrum View
New Phase Correlation Meter in Phase Scope
Side-by-side comparison of two tracks in the spectrum view
New drawing modes: Filled Curve, Bar and Spectrogram
Configurable frequency scaling, precision, peak fall rate, and slope
Pattern Effects
Pattern effects in the master or group tracks will affect all member tracks
Up to 34 DSP devices can be addressed via pattern commands 1xyy-Yxyy
New pattern effects: Tremolo, Auto Pan, Set Envelope Position
Logical mnemonics for pattern effects from A to Z instead of cryptic numbers
Performance Improvements
Hyper-threading support for new Intel i5 and i7 CPUs and others
Various audio engine speed optimizations for all platforms
Other Workflow Improvements
New Favorites system for plug-ins and native DSP devices
Expandable and detachable Envelope Editor
Memorize last used bank/preset paths per plug-in
Automatically name rendered songs/patterns
Right-side modifier keys are no longer hard-coded
Finer control over note distribution when dragging samples into keyzones
Improved color picker with saveable swatches
Context menus overhauled and made more consistent
Under the Hood
Quicktime is no longer needed to import MP3 files on Windows
Plug-ins are woken up from auto-suspend when clicking on their windows
There are 23 songs in this pack. Participants must pick and post their top 3 in the Mutant Breaks Competition #4 thread or they are disqualified. The top 10 go into a hat. My ~18 month old daughter picks a winner. I will make a YouTube video of this.
If you were not a participant you can still post, but your vote will be ignored. If some weird thing happens, like a bunch of tied tracks make it so that more than 10 are in the top, I will exercise veto power and truncate however I feel like it.
All songs in this archive are copyright, or not, their respective authors. Don’t pull a Timbaland. Contact the authors before assuming anything. Sample at your own risk.
Some songs are OGG files. It’s 2011, you should be able to playback Ogg Vorbis by now?! If not try:
For the next installment in the Renoise artist interview series, we managed to persuade highly productive Renaissance man Datassette to take some time out from his busy schedule to talk about the good old days, creative mod naming, business funk, psy trance, tinned tomatoes, wretched filth and everything in-between. And Renoise self-evidently. Plus some pretty unexpected influences…
Eight weeks of community driven testing finish today. We are proud to announce that Renoise 2.7 is stable and ready for production! Thanks once again to our users, the best in the world.
Free 500 MB PureMagnetik XRNI Pack with your Renoise purchase
To commemorate this achievement we’ve teamed up with Puremagnetik.com to bring you “Puremagnetik XRNI Essentials Volume 1” – a hand-picked selection from their catalog of professionally multi-sampled instruments.
The sample pack includes such instruments as:
Analog Synth Basses
Circuit Bent Drum Kits
Buchla Drum Kits
Mellotron Strings and Flutes
Glitch, Toy & Lo-Fi Sounds
Fender Rhodes Mark II
Model-C Clavinet
Electric Guitar
Upright Bass
Classic Analog Synths
Grand Piano
and more!
BeatSlaughter XRNI SoundPack (300 MB) free for registered users
Additionally, Berlin based artist and longtime user Beatslaughter has blessed us with a touch of evil in his sample pack “Beatslaughter SoundPack Volume 1“.
Those two sample packs total over 800 MB and let producers jump into all the latest sampling features of Renoise 2.7. The packs are free for all registered users new and old, and are waiting in the Backstage.
Tool Update Downloader
But that’s not all! Act now and we’ll throw in a Tool Update Downloader which automatically updates installed XRNX Tools. It’s so easy even your grandmother could do it. In fact, she’s learning Lua and scripting a new controller template for Duplex as you read this…
Posted at Monday, December 27th, 2010 by sharevari
Long-time Renoise fan Saine has just released his new album Long Time No See on both vinyl and digital formats on Helsinki-based Cymbidium Records. It’s a genre-blurring ride through downtempo beats, smooth instrumental excursions and deep late-night house vibes. We quizzed Saine on his approach to music making in general, with a particular focus on Renoise, naturally.
