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@gentleclockdivider wrote:

Another bug , when rendering to selection , the osc 2 square level and env.attack reset to zero , thus osc square is not rendered .
This also happens when double clicking renoise stop button since this also resets renoise audio engine .

I have also noticed this could happen to other plugins , so this might be renoise related

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@The_Traveler wrote:

I’m trying to work with some pre-compiled mda effects in lv2 format on my linux box. I use a real time low latency kernel and I seem to recall Renoise won’t load lv2 effects or generators unless they are compiled for real time usage. I’m thinking too maybe there’s some wrong with the search path but unlike LADSPA, DSSI and VST there seems to be no way (or need?) to set up a environment variable for lv2 in Renoise.

Any further info would be appreciated.

Cheers.

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@Drop_Shadow wrote:

Hi, during loading and saving of songs I get quite huge CPU activity from the service “Microsoft Windows Search indexer”. I’ve tried to exclude some renoise folder from the index without solving the problem. Anyone knows the locations where files are loaded and saved to during loading and saving of songs?

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@orrigans wrote:

I sampled the worst 80’s albums of some of my favorite synth groups and made these little ambient pieces:

Thanks for listening!

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@bunja1979 wrote:

i wanna give away arturia sem v
and I also have a frozenplain account I can give away with wraith and phoenix
anyone want to swap anything ?
i may just give them away but i would like a swap anything considered inbox me thanks

inbox me please cheers

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@jmod00 wrote:

I have this lo-quality breakbeat I’m trying to identify and I just listened to about 2000 drum loops + all the AMG/Data-G/Akai Sample CDs.

I’ve isolated and repeated it here:
drive.google.com myster3.wav

Google Drive file.

When I Shazam it at different speeds I get these results, all too obscure to be on WhoSampled:

The Global Optimistic - Alone in the city (feat. Moon Reflecting)
(https://www.youtube.com/watch?v=xQQQFASYRxg)
Baby Mammoth - Swing Business
Get This Party Started (Ghost Remix) (@2:45)
TDP Boba Fatsax (Feeling Me)
Just a little - RandyK
Statik Sound System - Secret Love
Mars Venus - Pronadji put
Soulchillaz - Your Heart
Stream It by Deeproducer

I’ve emailed a few of the producers but no luck yet. I’m betting it is on a sample CD as some of these productions seem low budget.

Sound familiar to anyone? Been looking for ages

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@Burial wrote:

102 bpm, beats/breaks … samples by Manu Dibango for stbb compo

hit my inbox and ill send ya the xrns file

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@sales wrote:

For all you need to stay home for corona…

I created a large article about the art of mixing :

http://www.sined.nl/index.php/audio-inf … c-mixing-i

[www.sined.nl]

Denis
AAMS Author

I7 8core 16tread 32gb Aopen Board, SSD Samsung. C10,W10,Halion6,Groove Agent5,etc.
Running on 8ms Latency with a Soundblaster XFi Pro. Yamaha MW12c USB mixer.
Behringer TRUTH B2031A active studiomonitors. Sony MDR-V900 Headphones.
Steinberg CC121 Controller. Mackie Control Pro.

Denis van der Velde
[http://www.curioza.com ]
AAMS Auto Audio Mastering System for Windows!

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@rockfistus wrote:

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@Zooby wrote:

Hi Folks,

Please forgive me. I totally understand that this has been mentioned and talked about so many times before on the forum, but I just feel compelled to say this.

I’m also fully aware that Renoise is a tracker. However, for me (and I’m sure many more) a Piano Roll would be sooooo helpful. EDM has changed a lot in the last 10 years. It’s a lot more melodic and has more sophisticated chord progressions than it used to have. Renoise is without doubt my go-to DAW, always. Nothing can beat it for me. I’ve been with trackers since day one from the Amiga days and it’s how I work.

But for more complex chord progressions and melodies, I have to say…FL studio gets booted up. Sometimes I save the pattern in FL studio as midi and import it into Renoise. Sometimes I freeze the part in FL and rip the whole pattern as a sample into Renoise.

A piano roll would prevent the need for this. In fact, it would put FL Studio in the bin. Completely.

All my tracks are made with Renosie. Two have been released on Matrix Music Records. But I’ve had to use FL Studio for a lot of the chord and melody work. It’s just easier for me on a piano roll.

As mentioned at the start, I know that Renoise is a tracker, but a piano roll might open up the program to more users. How hard can a piano roll be to program? Isn’t it just a big table that you paint blocks onto? It can’t be hard to do? I’d do it myself if I even knew anything about Lua scripting.

Peace out

Zak

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@migloJE wrote:

Renoise 3.2.1 (64bit) crashes with DiscoDSP phantom 32bit VSTi, but works fine in renoise 3.1

Windows 8.1

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@kriyananda wrote:

Dear Friends,
after reading here and there on the forum about it, I wanted to try Sound Forge Audio Studio 12.5 to process beats, and do some mangling/slicing/rearranging.

I’m getting mad for I’ve read here on this forum that a few fellow Renoise users do employ SF to manipulate breaks and then throw them in our favourite tracker and manipulate them further with Sxx effect.

I’ve been trying to learn something about it, both by reading the manual, both by searching tutorial vids on YT.

But there’s is something that I absolutely don’t get.

Though I’ve learned how to slice samples, I’m having really a hard time to figure out how to rearrange them, also because the visual space you have just covers the whole sample you put in and you can’t zoom out any further.

As for the “open and append” function, things are not improving much, I really feel claustrophobic.

Yet, I’m sure this is a great software and I can see there are some very good and advanced features that, fair enough, are not present in our beloved tracker.

So I would be very grateful if somebody can provide some help.

I hope this is not considered OT and yes, I can see this is not a SF forum

Thank you soooo much

Simone

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@podf wrote:

For really complex, evolving and well just weird polyrhytmic music - it would be awesomely amazing if each track could have individual step lengths! I imagine each track would loop by itself separately from the others in the same pattern.

I’m new to Renoise though, maybe something like this is possible already?

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@sales wrote:

For all you need to stay home for corona…

I created a large article about the art of mixing :

http://www.sined.nl/index.php/audio-inf … c-mixing-i

[www.sined.nl]

Denis
AAMS Author

I7 8core 16tread 32gb Aopen Board, SSD Samsung. C10,W10,Halion6,Groove Agent5,etc.
Running on 8ms Latency with a Soundblaster XFi Pro. Yamaha MW12c USB mixer.
Behringer TRUTH B2031A active studiomonitors. Sony MDR-V900 Headphones.
Steinberg CC121 Controller. Mackie Control Pro.

Denis van der Velde
[http://www.curioza.com]
AAMS Auto Audio Mastering System for Windows!

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Participants: 1

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@sales wrote:

For all you need to stay home for corona…

I created a large article about the art of mixing :

http://www.sined.nl/index.php/audio-inf … c-mixing-i

[www.sined.nl]

Denis
AAMS Author

I7 8core 16tread 32gb Aopen Board, SSD Samsung. C10,W10,Halion6,Groove Agent5,etc.
Running on 8ms Latency with a Soundblaster XFi Pro. Yamaha MW12c USB mixer.
Behringer TRUTH B2031A active studiomonitors. Sony MDR-V900 Headphones.
Steinberg CC121 Controller. Mackie Control Pro.

Denis van der Velde
[http://www.curioza.com]
AAMS Auto Audio Mastering System for Windows!

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@bunja1979 wrote:

can we share our xrni?even snapshots of vst no matter where they come from ?
sound designers and company’s do this in there kontakt libraries all the time
so would it be ok if we just do it for a few days and share here in the community ?
some of the free offers offered by companys at this time are no more than free trials
apart from native instruments
so I am going to start here

keith uploaded some free samples in xrni form from
wetransfer.com #XRNI.rar

1 file sent via WeTransfer, the simplest way to send your files around the world

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@Tumulte wrote:

You know what I’ve always been missing in renoise : a good hardware solution
You know why I will not buy Polyend tracker ? It’s too limited… and I already got Renoise.

But, if, somehow, you two companies could hookup… now we have a match made in heaven.

Ideally if Polyend tracker could control Renoise, that’d be fantastic, but I think I’d be more realistic to ask for export capabities : drafting a track on the hardware, then finishing it up on Renoise.

If we are enough to politely ask… I’ve already shot a message at polyend

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@The_Traveler wrote:

Yoshimi: http://yoshimi.sourceforge.net/ is a fork off the zynaddsubfx code tree.

If you could have only one vst this might be the one. Yes, like it’s parent zynaddsubfx it’s a beast. However, for sheer sonic capabilities the two are hard to beat and well worth the learning curve. The feature listing on the Yoshimi homepage reveals more about it’s incredible array of features.

As a diehard linux user (ubuntu-based) I appreciate that the current version of Yoshimi can be installed using a package manager. There are tons of presets available (installable using the package manager as well). The developers also provide native install packages for practically every mainstream linux distro out there, .deb, .yum, .rpm, etc.

I found Yoshimi to have excellent sound quality, responsive controls and not too hard on the cpu. Complex presets can push up the cycles but nothing terrible. Like the YFM262 and YF2612 vsts I posted about earlier Yoshimi runs standalone and flawlessly in Renoise.

I hope you’ll check it out and may find it useful. Cheers.

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@Neuro_No_Neuro wrote:

As many of you know, I’m fascinated with microsound techniques and audio motion within the confines of Renoise and its engine. Via @Raul, I’ve been able to do some great new tracks with the SMC Tool.

In this case, I’m looking at the ‘draw’ option of the Sampler.

Let’s say I want to make a ‘ticking’ sound at 10 samples in length. This is how I do it:

1. Go to a blank sample screen
2. Create a new sample
3. Choose a length of 10 samples
4. Make sure it’s not set to ‘loop’
5. Draw the click’s ‘shape’.
6. Modulate the sample via the sequencer for volume/delay/FX

Is there any way, with LUA perhaps, to create a randomized sample shape device that one could set to an LFO?

I know the easy way to do this is to just generate a bunch of 10 sample-length samples by hand, and dump 'em all in a sampler and set it to round-robin.

I can imagine this would be a texture-generator of sorts, where the ticking sound would change in tonality only very slightly, as it’s only 10 samples in length. It’s REALLY short. Using my imagination, if the sample were longer, it would provide a more audible variation.

If this were set to loop, then one would have a constantly changing wave-shape.

The question is: Are these variables available within Renoise to modulate the sample’s shape via LUA? Could this be turned into a device that anybody could use?

Ignoring the term ‘real time’ (meaning, immediately after pressing the space bar to start the sequencer), is this a possibility? Could it happen after a second or two?

I am not a programmer, I do not know what LUA can or cannot modulate, I cannot read the code. I only know that there are people programming in LUA that know how to modulate a ton of stuff via the code.

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@stoiximan wrote:

Hello people i hope you are doing well .

i am currently working on this one ,any feedback will be noted.Vocals are only one take so dont spank me

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