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@lilith wrote:

What filter with which settings do you usually use for filtering the low end on each track? I use the digital filter with default settings and set it to ~200 Hz. Is there “a better filter” for that usage?

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@Redman wrote:

Been a while since Ive been back on here but anyway heres an extended version of some noisy piece of thing I made a while back

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@vdx wrote:

Hi there

First of all, thanks for Guru - it’s really awesome!

I’m currently working on a Synth definition for the Novation BassStation 1 (keyboard version) and I would really like to do the UI as close to the synth as possibel. To do this, I need to be able to use strings/chars in the display_min/max_value.
Like, when mixing between OSC1 and OSC2.
Also having these two stringvalues put in each end of the slider would be really awesome

Example:
OSC1
Mix Osc 1 [_____X] Osc 2

Can this be done or?

All the best
/Martin

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@gentleclockdivider wrote:

Don’t know if this is already possible , but a shortcut that repeats the last action

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@Terumi wrote:

Hello people, is there a way to make the disc browser to gain focus on a midi message and to browse it using CCs?

Thank you

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@James_Britt wrote:

16,000 sound effects, in wav format, thanks to the BBC.

http://bbcsfx.acropolis.org.uk/

Free for “personal, educational or research purposes”.

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@Land_of_Bits wrote:

hey i would like to know what are your favorite methods for layering instruments
specifically when using vst instruments
to me its a bit tedious when using the advanced panel to make a “swap” for instruments each time i want to layer something cause if i change something in the main sound then i have to go and change it manually again in the layers

i dont know if there is any tool that handles that better or at least a workflow that makes it more easy

on a side note Bitwig uses something called Note receivers which are super useful you can use them to layer sounds or for instance to trigger vst effects that may have parameters triggered by midi like Gatekeeper

thanks in advance

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@vdx wrote:

Hi there…

So, I have this Rubix22 usb audio interface, hooked with Renoise 3.2 and a lot of midi for some external synths.

I have a couple of issues I really can’t find the answer too - hope someone here can help me.

In renoise I have pretty much control of everything on my synths, BUT one thing I really cannot get around is, how I get #LineInput so it works pr. channel, and not doubling the sound if I add two of them to two seperate device chains. I have tried the Midi Return Mode in the #LineInput, but with no results.
So, How do I setup external synths using midi via the Rubix22 to have dedicated #LineInputs pr. channel/instrument?

The Rubix22 is connected to my laptop via USB, and I maybe I got it wrong, but I though that sound from the Rubix22 was also send via the USB to my laptop, so I could use effects in Renoise to reverb, distort etc. my synths through Renoise. But maybe I am wrong?
Funny thing ism no matter what I try in win10 sound settings, I can’t get any sounds out of the Rubix22 on my laptop. Am I doing somehting wrong, or can’t this be done?

I have be googling/youtubing for a week now, trying everything with no results, so I really need some help here - and please, something very hands on

Add. info: All my synths are sending sound out through a mixer, which go in to the Rubix22 inputs. Output from the Rubix22 goes to my sound system.
Version of Windows 10: 1909
Rubix Driver 1.0.7

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@Fasttracker wrote:

For live acts i want to play two renoise songs at the same time on one laptop and use a two-channel soundcard so that i can do the mixing between the songs on the mixer of the soundsystem.

Is this possible? How?

I did not find the possibility in renoise to open 2 songs at the same time.

So i just started renoise 2 times and then i have two instances of renoise running and can load in each instance a different song.

Is this a stable way with 2 instances of renoise running or is it likely that problems occur?

Anyway – so far i did find no possibility to tell renoise or the soundcard that the one channel must use the one instance of renoise and the other channel uses the other instance. Both instances of renoise just use the same channel and the other stays un-used. Is there a way to change that – tell renoise which channel of the soundcard to use? How?

Any other ideas?

Thanks a lot.

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@rockfistus wrote:

I seem to recall someone talking about how to do this somewhere, can somebody recap this for me? I though there was a way to control VST parameters in the track column but I can’t find it!

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@midierror wrote:

A pretty useful technique for fixing scratched records

midierror

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@Gamma_Star wrote:

hi, if i type something in FX column, i want to jump automatic one position to the right?

*like the step length grid for the pattern editor also, but horizontal

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@toimp wrote:

Github:
GitHub deezer/spleeter

Deezer source separation library including pretrained models. - deezer/spleeter

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@Raul wrote:

R3.2.1 W10. To load a .XRNT file (chain device) with one Doofer that contain a *Instr. Macros, your value index for Instr. is ignored. I should also change it.

The reference line inside the xml format file:

<LinkedInstrument>4</LinkedInstrument>
inside the <InstrumentMacroDevice type="InstrumentMacroDevice">

For example: SMC (Doofer & 2x LFO).xrnt (10.5 KB)
the index value for “Instr.” it should be 4, but it says N/A

This not ocurr with a .XRDP format (single device).

…

A related issue: From the API we do not have access to the parameters of the device that is inside a doofer. For example, it is not possible to change this instrument index value from the API, because the *Instr. Macros device is inside the doofer.

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@Raul wrote:

R3.2.1 W10. The active status of the two Loop controls should match, inside the Sample Properties panel.
When the sample slot has no buffer, both controls (checkbox and popup) should be active = false:

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@Raul wrote:

I have two suggestions to improve the sample editor:

1. Add the possibility to reproduce the sample from the Star loop. That is, the sample does not play from the beginning (frame 0). Is there no way to do this?
2. Insert a tool to add a silence from the cursor. Press a button and a window will appear to configure the “number of samples” to be added for silence.

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@Terumi wrote:

Hello people,
By fiddling with the GlobalMidiActions.lua I’m trying to write an offset (Sxx) to the effects column of a track using a knob.
Is this possible?
In the scripting API, in the effectColumn, I cannot see anything relevant.

Thank you!

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@midierror wrote:

Hi
For you Ableton users, I’ve added two new synth ediors to my gumraod store: DX11 and DX21!

Follow me for updates on what I am creating.

Enjoy,
Chris

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@vkxwz wrote:

I retriggered a mono hihat sample and rendered to a sample, and when I deleted the first retrigger (itteration? whatever) to compare the waveform of the start of the retrigger to the rest of them, I found they are different, as shown in the image below. Does anyone know why this may be?

The first retrigger is the exact same as the original sample being retrigged, but all subsequent ones are different.

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@cupcake wrote:

Hi all you cool people.

If anybody is stinking rich like me (joke), and has access to a Push 1, perhaps this will be of interest.

I’ve been tapping away a few evenings over the last week, getting the foundations set up for using Push to control Renoise.

So far, it’s working just as a demonstration of the building blocks. Very basic. There are four modes (which do nothing basically):
Sequencer is entered using the Note button
Matrix is entered using Session button
Instrument is entered with Device button
And Track is entered with, drumroll… The Track button!

You can start and stop Renoise from any of the modes, it defaults to restarting the pattern, but holding shift and pressing play will continue from current line.

The play button also reflects the playing status of Renoise.

If you hit the pads they light up red like the rose you gave to your first love.

The sequencer mode will show you the note of the first 8 lines of your pattern, extremely useful i think you’d agree. Leftmost pad is C, and on, etc.

If anybody has any ideas for things they would like to do to Renoise, using a Push to do them with, please chip in and let me know what comes to mind. I am aiming to make it quite functional, but not insane, as i hate having to hold loads of keys to get into modes etc. I just want a nice experience.

The code is horrible. I mean, truly terrible. It’s a shitload of table lookup to get things done. Lots of redundancy, inconsistent naming etc. I’m sure this will change. But basically am trying to write it to be portable, so that i can convert this work into a Reason Remote tool too.

Oh, and it should be able to run with both Ableton and Renoise at the same time. Not yet, but eventually. Cool huh.

The code is all on github here: https://github.com/cupcake99/PushyPushPush

And this is the tool in its current state:

PushyPushPush.xrnx (5.5 KB)

Bye bye.

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