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Over the last weeks I’ve encountered the vst plugin “drip” numerous times and people seem to love it a lot. Its advantage lies in its simplicity: just throw it onto something that sounds bland and watch/hear it come to life. It does that by adding multiple, simple effects with different intensities, so no witchcraft there. But its simple to use and thats what draws users in.

While I researched what it actually does I wondered if it could actually be rebuilt with doofers. At least to a certain extend. Now I’m hooked on the idea to make different doofers or even one giant mega doofer, that can do the same thing while being more transparent about what is happening.

Since doofers can be saved and shared I thought that this would be a nice community project - what do you think?

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Found an older thread from 2015 asking for this, has this been included at any point since?

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Used Renoise Redux pithing VCV and VCV Host FX module.

Master chain (Redux)
Bus Compressor - Exciter - Maximizer

Works like charm…

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a nice short track. might continue this

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Hello everyone, i have a few songs where i used the VST called CarlaRack to embed a LV2 plugin (trusty old ZynAddSubFX before a decent VST was made) but after installing to a new computer these instruments load up as empty CarlaRack instances.

Unzipping and looking at the Song.xml file from a xrni, it seems like the plugin parameters are saved as garbled (base64?) strings of characters in a tag called “ParameterChunk” in the xml file.

What i’d like to do is extract the Zyn patches from the “ParameterChunk” tags and load them in the new VST version of Zyn so i don’t have to tweak them all over again. Is there any documentation on the format of this tag?

An example of such a ParameterChunk tag would start with:

and end with:

Not pasting an entire one here, because they’re about 50kb long or more.

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Hi !

I just started with renoise and need some help for my setup.
I have a ultranova synthesizer and a komplete audio6 audio interace (both connectable per USB).

Which audio interface should i use in combination with my windows 10 pc (just a realtek on board soundcard) ?

Thanks !

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Hey guys. I just tried the render plugin to instrument function (amazing idea) but getting very bad clicks so it’s unusable. Can anyone confirm or offer fix?

Please see the two pics - different issues, both resulting in clicks.

a piano sample (vst is fine)

a gap and drop at the start of every sample:

I’m on imac 5k 10.15.6 Renoise 3.2.2
Cheers

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Matt Tytel, the developer behind the popular Helm freeware synthesizer, will release a new instrument called Vital (free and paid versions available) on November 24th. Vital is a forthcoming spectral warping wavetable synthesizer by Matt Tytel. He is...

Est. reading time: 2 minutes

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Made with Renoise 3.2.2 on PreSonus 24c soundcard
Used Plugins:
Slate Digital FG-MU multiband compressor.

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Is there a way to make Renoise record each Macro into an individual FX Column? Or record the midi straight to the appropriate automation lane?

A bit more in depth:
I have a sample instrument with a couple of macros assigned to it. The Instr. Macros meta device is midi mapped to my hardware controller. So far, so good. But when I record the automation it writes all of the midi data in the same FX Column in the Editor. Which makes it a pain to edit.

I know can record each parameter in a separate FX column if I record them one by one. But that rather ruins the performance aspect of it for me.

I’ve tried @Ledger Automation Single Slider. Which is great but also only gives me a single parameter to work with. But maybe I’m doing it wrong?

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Hey. Let’s say a note is triggered with a note_on 1 1 48 127 event on OSC. The instrument is not set to mono and the sound is looping, so the note keeps playing until a note_off 1 1 48 event arrives.

Now, if my external source sends the same note_on 1 1 48 127 message N times, the same note will play N times. Then a note_off 1 1 48 event will stop all notes playing.

Is there a way to differenciate between the notes playing and target one specifically?

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For everyone still surviving the pandemic, and hoping to get off this infested planet, you might want to check out my EP “Music For Spaceport Departure Lounges”…it’s ambient mostly, weird in places and a little bit like Boards of Canada, Biosphere and Jean Michel Jarre fighting in a sack. With aliens and nihilists. I hope you get something out of it. Cheers, folks!

and one vid on YouTube:

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Hi I remember there was this really entertaining renoiser on youtube called kaneel whos tagline was “smoking is bad, except in france”, did anyone manage to save the videos while they are up, theres no trace of them ever exisiting!

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Hi everyone! Say I reverse a sample in the waveform editor, and then i right click ‘save sample’ it just literally saves the sample in its original form with no changes, anyway I can save it with all vst fx / processing without having to manually enter it into the editor and render it out? Thanks!

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Made with Renoise 3.2.2 on PreSonus 24c soundcard.
Used plugins:
SlateDigital FG-MU multiband compressor
Infected Mushroom Wider (for crowd sound)

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murder on the dance floor

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music to walk slow by

enjoy!

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Hey all. First post! I believe I’ve found other posts somewhat addressing this, but can’t seem to find the solution.

I’d like to have several loops prepared, perhaps phrases or as audio, and be able to switch between them, only hearing one at a time. The trick that I’d like to figure out is how to do this in a live fashion without the loops starting from the beginning every time they’re triggered. They would just start from whatever point in the loop they would be at had they been triggered at the beginning of a pattern. I know how to program this with the S commands but I’d like to have a more live way to do this with the computer or midi keyboard.

Any ideas would be greatly appreciated.

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