Renoise Forum

I’m looking into getting a Midi keyboard; i was wondering if it’s possible to connect two small Midi keyboards and have them staggered on octaves and be able to play both of them at the same time? Else I’ll just get one big one to cover more keys.

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I get today my second PreSonus plugin. Their plugins are VST3 and works in strange way - there is some kind of wrapper or whatever that shows as single plugin, then there is their main program that handle their plugins.

Anyway, when I was using only one plugin, everything was fine. After I activated second one - I see only first one on the list, but is not working (crashing Renoise). When I uninstall old plugin, I see new plugin (working) under old name in Renoise. I can use any of plugins, but not both when they’re activated at the same time.

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Hello people .So I have a friend who’s PC got infected with Qdla Ransomware and he can’t access his files any more.Do you know anything about this virus?

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Drums played by EatMe recorded with 2 overhead microphones and a Minidisc recorder in a local musician space rental.
Total 2 hour recording captured to .wav on computer and burned to 2x CD-R.
Cut to beat loops. Everything is lost. I will download this breakbeat.

Here is an instrument with the cymbal on the Note-off.

Renoise instrument:
https://files.renoise.com/forum/uploads/6100-brb%20breakbeat%20to%20use.xrni

I posted it many years ago.

Full breakbeats:
https://archive.org/details/108_bpm_breakbeat_to_use
https://archive.org/details/free_breakbeat_sample_drum_loop

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In my defence I’m not good with titles.

This was supposed to be my halloween track, but then I got sidetracked by making that RE1 basement cover…

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Does anyone know if there is any way to somehow print or return in text format the entire tree of a window tool’s view?

This could be useful if we break the general tree into small functions to load them later in the general tree.

A simple example. Imagine you have a tool with a general tree like this:

How to print or get this to extract to a text file for example. That is, get the entire tree to be able to examine it, with all the properties of each object and all that.

Any ideas?

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Would love to see the ability for an instrument to receive MIDI on multiple channels. MIDI sends only a global pitch bend, and thus this is the workaround for some types of alternate tunings, or expressive instruments. There are free VSTs already set up for this such as Surge or Dexed as well as many top of the line ones such as Arturia Pigments.

As well would need to recognize the MPE standard pitch bend style messages which use another bit of MIDI data that is unused. (really I don’t know why the MPE guys didn’t just use this to send the note number rather than having to do this whole separate channel nonsense for their specifications, but someday 20 years in the future perhaps people will actually start using MIDI 2.0 and creating software that’s compatible and this will all be behind us. We can only hope!)

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I’m testing out the demo version and am trying to figure out how to handle MIDI effect plugins for things such as retuning, arpeggiators, etc. Other DAWs allow you to simply stack any plugin - midi effect, audio effect, or instrument in the order you like. I’m having a hard time figuring out how to do this in Renoise, and it may be a dealbreaker for me. If there’s something I’m missing, someone please help me out. This seems like it should be a pretty basic functionality.

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Hi!

On start Renoise connects system/playback_1 and system/playback_2 inputs. I’d want 3 and 4 ones. Is it possible to configure? (or, at least, to disable). Now on every start I go to Catia to remove unneeded connections and to add needed ones.

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Hey there, first post, total noob so forgive me if this is dumb but…
I have an old Mackie mixer, and I want to run a 909 kick sample from renoise, through it, and then back into renoise to resample it with the added warmth/gain/eq from the mixer.

I have absolutely no idea how to make this happen, but I’m positive it’s… a thing… Any ideas?

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The plugin is “DSP56300” - Access Virus C in vst emu form.

I am running this on a Ryzen 7 3700x, with 8 cores, 16 threads.
If i run more than two instances of the plugin it starts crackling and popping and eventually shuts down renoise, because, it maxes out a single core on my multi core setup. =/

Why this behaviour? Isn’t Renoise supposed to “see” that one cpu is about to burst with activity, and allocate a new cpu for the next instance of this vsti? I know it’s a new and experimental vst, but surely it’s up to the Daw to chose on what core to put it?

Or is there a way for me as a user to chose cpu for a specific vsti?

This is very frustrating, as I can see that I have at least 2 cores that are not used at all =(

Please do tell.

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How do I stop Renoise from playing back when I press Command or Option keys?
I have looked through the “Transport” section of the key commands and only Spacebar and Shift +Spacebar are listed, but pressing Option or Command also starts playback.
Much annoy - can it be turned off?

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@taktik

the Renoise Delay needs filters.

It sounds full of feedback noise that I do not have when I (would have) filtered the delay.

Both high and low pass needs to be applied to the wet signal to be of any use.
Or one notch filter with custom width instead, but I prefer two filters.

Up so far, Renoise internal Delay gives so much feedback noise.

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Talk about unique…
There’s a live twitch event on the 20th where dj’s pull out 2 Amiga’s and a mixer and spin protracker modules.

https://www.youtube.com/embed/iAlHYElQTGU

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Hello All, I want to know which PHP version quipped to spaceship operator between php5 and php7. As I am working on PHP 7, PHP7 is quipped with a new operator popularly referred to as spaceship operator which has a notation <=> Function can automatically return to null when the value is not accessible but I have not an idea about PHP 5. Can anyone suggest me?

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I’m not sure if this is a commonly known trick, but i have just heard Renoise can’t do granular synthesis and i haven’t really thought about how a granular effect is being made.
The audio is chopped up into pieces of variable size with effects added to each ‘grain’, all in realtime and with parallell prosessing. I was almost lost at the chopping up part, but then i thought “why not use send tracks as ‘grains’?”
It sounded a bit far fetched, but when i tried it i was quite surprised how well this actually worked. In this example i use 6 ‘grains’, but you can make any number as long as your cpu is up for it.
Let me explain:

Add 6 send tracks for the grains and one as a bypass:

Add a gainer and set the output volume to -12 on all the grains tracks, but leave the bypass track as it is:
Grains:

Bypass:

Go to Track 01 (or any track for that matter) and add a Send device for all the grains like this:

Add a Send track for the Bypass in the front of the chain (turn it off and use it when you want to hear the dry signal):

Now for the actual splitting, let’s add an LFO that controls the grain sizes with it’s frequency slider. Let’s call it the master LFO:

Connect the LFO to a Hydra:

As you see, 6 LFO’s are controlled from this Hydra, so go ahead and make 6 LFO’s look like this:

Now, if you set everything exactly as i did here, then you should hear the exact same sound when you enable the bypass no matter which frequency you set the master LFO.
Now see what happens if you start adding different effects on the send tracks, then slide the frequency of the master LFO and you will hear the grains start changing size.
The higher the BPM and LPB the shorter you can make the grains.

GranularTest.xrns (578.9 KB)

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I have to say my favourite is ‘Get At Them’ from 2016:

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The title says it all, is this possible with the current API? I couldn’t find it…

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Faster selection inside the pattern editor by beats and tracks. It snaps the selection to the start and end of beats automatically regardless of where you start it from.

Provides four key-bindings in Pattern Editor / Selection

• Select until previous beat
• Select until next beat
• Select until previous track
• Select until next track

And additionally two in Pattern Editor / Navigation

• Jump one beat down
• Jump one beat up

see the source on gitlab

download from direct link (this zip includes all my other tools as well)

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Hello,

me is sorry for this beginners question, but how can i load / choose a soundfont for the fluidsynth-dssi plugin?

os: debian 11
renoise: 3.3.2
fluidsynth-dssi: latest compiled from source with gui / gtk support (note that the distro supplied is not working either, therefore the effort to compile).

In the past, after choosing the plugin, the gui opened automatically. Now nothing happens. There is a button “external editor” or so, but it is without function, i.e., nothing happens when clicked except on / off widget change.

I suspect that this started after recent upgrade from debian 10 to 11, but as i already upgraded all my machines, it is difficult for me to prove.

The plugin seems to work otherwise, as already saved songs are playing, resp. i can use one as a template, but it is really a workaround.

As far as i can see, when starting renoise in a terminal, there is nothing unusual.

Did not extensively used renoise for a while, so apologize, if me is missing something obvious.

Cheers,
mirsha

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