Renoise Forum

The logo on top of the page seems to refer Judaism.

I actually have researched religion, and Ja is the Deity here, and Elf the enemy. And one is a devotee with this.

If you are into Renoise, you might want to try it!

-Peace.

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Skrillex - Right in Renoise

My short (kind of) remake of Skrillex - Right In
I wanted to share because I’m proud of the sound design being all native

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Setting 'LFO Dest' To 'Phrase Program' Twice Breaks Undo

Set an LFO’s Destination to: Instr. Macros - Phrase Program. Undo it then set it again. Now nothing can be undone past this point. It just says: ‘Change PlaybackMode’ was undone.

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slightly less heavy than my more recent stuff

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Specifically, in Renoise, I use a VST3 instrument from Spectrasonic, Omnisphere 2. If I connect the control element of the VST3 instrument, the name of the parameter does not appear in “meta instrument automation”. Instead of the parameter name show only text “No parameter” is filled in everywhere. But the control works. Even though in the VST3 instrument the name from the listing is correct “Parameter 1 B Filt Cutoff Host Automation ID: 12”, i see only “No parameter” is displayed in “instrument automation”. I’m trying to figure out how I can edit, change the name “No parameter” to at least my name. But it fails, this name seems to be an exported value only, no editable. Can something be done about it please?

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I want to buy a license for Renoise, I just don´t know if it´s better than other daws like Reaper for making techno and house music.

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A trick I use often on my hardware sampler and also the wonderfull cyclone vst is the combination of a poly + mono sintrument .
For that I sample 2 keys per octave(c,f#) , for 4 octaves ,set that voice group to poly , duplicate the voice group but set to mono and 1 octave up plus some glide ( 22-33ms) .
So both are controlled from the same instrument , yu can play chords and at the same time you have this note played an octave higher + glide …a really nice effect .
In renoise there is just no possibility to do this in the same instrument , it’s either poly or mono ,so we need to duplicate the instrument , set it to mono and also duplicate the part .
But , then there is still the issue of controlling-playing both instruments at the same time .

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3rd vocal track, hope you’ll enjoy it

Sun - the Sound of Rain

Daw : #Renoise VST : #Nexus4 / #Omnisphere Video : https://vizzy.io #music #electronicmusic #tracker #spacedisco

Duration: 212

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Hello,
In one project, I am solving a problem with signal interpolation. I have a few things in reserve (Lanczos interpolation), but I would like a solution that uses the Smooth function in the sample editor. What kind of interpolation algorithm does it use?
I have some problems connecting the samples to each other ideally.

Thanks

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It looks like a feature was suggested here, and I was wondering if it was now possible to bypass phrases for a given instrument.

For example, I have phrases built for a Drum set that I’m using in a track, but now and then I want to be able to trigger the sounds rather than the phrases themselves (e.g. Crash cymbals) rather than having to ‘build a new phrase for every occasion’.

Thanks for the help!

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Is there any known way to assign macros via scripting?

and is it possible to save instruments as .xrni with scripting?

Thank you

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Voiski released a new, rather excellent minimal techno EP today.

I don’t know him, I’m just a fan of his music. So I thought I’d share it, maybe some of you will enjoy his music as well.

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Hello!

I’ve just had a nifty little tool idea, but not time and energy to carry it out at all. It struck me that it might be useful for others, so I decided to share. Maybe it can inspire someone.

I’ve already seen some tools that can generate samples from an UI. My idea goes one step further: why not create a tool GUI, that resembles some classical synth interfaces, i.e. osc 1,2,3 subosc, filter, envelopes, lfo, effects. But with starting the UI and dialing sounds you don’t create samples, but actual renoise native instruments that you control from the synth UI. Next step would be to assign mod/bend/macros from the tool UI, so they can be used from renoise.

I think of it like the created native instruments do not need the tool to work, they are just created with it with a classic look&feel. For example a classic 2 osc filter synth you would create 2 wavecylce samples and put them through a modset resembling the filtering options. Then as you dial the UI, the parameters must be adjusted.

Other kinds of synths than substractive are also possible, i.e. with ring mod/comb filter effects or additive by creating wavecycles and blending them between each other.

What do you think - is this possible from lua? Do we have enough lua access to create whole instruments and manipulate i.e. mod set envelopes somehow?

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Hi!

I would like to manually edit automations of specific parameters of external plugins or map them to MIDI, but in many cases, they don’t have clear descriptions. Do you have any method for their identification?

Below is a screenshot of the SoundToys Effect Rack that I’m testing, and I’m impressed, but the issue with automations makes me uncertain about purchasing.

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Hi,

I have a behringer usb external soundcard. it works.
I have connected a Virus TI 1 with midi cables, and my music plays.
I have set the midi instruments to line in return.

I have tried just about every possible setting.
the synth does not render to WAV

where did i go wrong ?

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Just a heads up if anybody is interested: The guy that makes Deflemask made a sample-based iOS and Android app based on the same tracker ‘engine’: https://minimic.app/

I didn’t dive into it yet but it looks like a lot of fun. It’s been out for a year now, I can’t believe I haven’t heard of it sooner.

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Here is a new composition made only using KORG M1 Vst.
This time a short tune.
KORG M1 Test 47

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I am having a blast working in Renoise. But my main DAW is Logic. I am struggling to find a good workflow here.

My initial idea was to build everything in Redux in Logic, but this has limitations in that I can only use one FX per note at a time (unlimited per line but that’s not what I want!), which is a major limiter for me in the long run. So here is the idea I came up with but it is CRAZY time consuming, there literally must be a better way! Please help.

1. Export melodic synth parts I create in Logic into Renoise.
2. Create my drum ideas in Renoise around the imported synth ideas
3. Export each individual track as a phrase so I can open it up in Redux (do I really have to export each phrase individually? There isn’t an export all phrases option?)
4. Then I have to open up Redux, load the phrases, pick out the sample I used for each part again for EACH drum part
5. Draw Midi note again for EACH drum part

Crazy time consuming. I want the flexibility to adjust the drum part in Logic so I don’t want to just export out the Renoise project as a wav. What am I doing wrong here?

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New user so apologizes if this doesn’t make sense. Started getting the hang of Renoise and then now am learning Redux.

My main question is the one in the title but if you could also list some limitations of Redux compared to Renoise that would be great!

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Destroy renoise tracker song

Τhis song was created exclusively with Renoise tracker. Only a few personal samples were used.

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