Renoise Forum

I started working on a track and recorded some guitar without any noticeable latency problems, but a day later when i tried to record some more the latency was suddenly very high. I tried restarting the PC, but latency was still horrible. Then i turned off all the effects on all tracks, but still the latency suck balls.
I’m not sure if the problem is caused by Renoise, could perhaps be my sound card, but i checked the settings and it’s set to 5ms which i’m not supposed to notice. The experienced latency is probably more like half a second or more.
The cpu usage is less than 5%, so that shouldn’t be an issue. I also turned off most of the apps running in the background.
I can’t understand what i may have done to cause this. Any ideas?

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Hello, i would like to create exports of long mixes (5+ hours) with a nice plugin to improve sound quality. the memory i have is 96 GB and should be sufficent to support such features. why is there a limit on 2 hours and some minutes.

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i tried to activate through remco@workandtravel.world, but did not receive the activation mail on time, the .com is fine

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What about a block divider? I’m thinking about a function that works like the separate funktion, but instead of just separating once at line, it will divide the block in equal blocks of the same size, if possible.
So, for example, you can divide a 16 lines block into 4 4 line blocks at line 04, but if you divide at line 05, you will get 3 blocks with length 5 and 1 with length 1.
That would be great for re-arranging large blocks in particular.

All the best,
Michael aka Minkepatt

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Hi,
What about a FX-modifier that covers the harmonic series? This FX would manipulate the pitch of a sample like Dxy and Uxy, but not based to parts of harmonics instead of semitones.

Fortunately, Hxy is still not in use (unknow effect number), so you could give this behaviour to it:
x divides the frequency of a pitch by n+1
y multiplies the frequency by n+1
Taking the n+1 equation, you would avoid a division by 0 and a range of four octaves with each variable. H0F will take a pitch four octaves up, HF0 four octaves down. In between, you may have any pitch treatments that will be harmonically correct in a certain way.

All. the best,
Michael aka Minkepatt

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Good morning, I have a problem with the Behringer modules (model d, pro 1, wasp, cat) I connected the synthesizers via USB cable. I set a different midi channel on each module. This configuration works fine on other Daw but on Renoise it doesn’t. It only recognizes one synthesizer, 3 others don’t. Has anyone had the same problem? thank you for all the information you give me, see you soon Leonardo

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Suppose I have a filter with a 5kHz cutoff, but I want to set it to 1kHz for a few lines. If I insert commands to set it to 1kHz and then 5kHz, all of the lines before the first command will also be 1kHz, so I need to insert a 5kHz command before the 1kHz as well. Not only that, but if I decide I want the rest of the song to actually be at 7kHz, I have to go back and change both the ‘before’ and ‘after’ command. The behavior I’d like is that I can insert a command to temporarily set the parameter to 1kHz, similar to how the volume/pan columns only set the parameter for that one line, and not have to worry about what the old value is.

I can somewhat get this behavior by actually having two filters and turning them on and off, labeling them ‘normal filter’ and ‘temporary high-pass’ or whatever, but that seems clunky. Any suggestions?

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Hey guys there’s a new tracker available for iPhone called SquareBeat. It’s like a little Renoise Jr. Check it out.

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Okay, so guys, dish out all the helpful features of a calculator? I am getting the hang of programming a multi-purpose calculator, but it would be non-xrnx. I don’t think an xrnx file would work well unless there’s way too many windows that pop up in Renoise, it’ll be very strange to implement. Plus I was making a separate app before that one I posted a while ago that I sent, that actually tunes the C-4 Key of an A-4 Key reference tuning original key and you can get the fine-tune value to adjust, I actually don’t know how useful that is actually, probably it’s a stupid idea, I guess I was just having fun with it. If you use specific types of calculators yourself, anywhere online or anywhere else strictly for music. Tell me what they are. And of course you can trust my bin files, why would I screw up my Renoise Forum Account and my registration? I read that reply somewhere on one of those posts. When I was a teenager I wanted to make viruses, now as a middle-aged man, I want to dish out free apps. I made an Ultimate Password Generator, a Cipher/Decipher app among other things. I just wish I had a Mac and a Windows computer, so I can make sure they’re bug free. >_< I would suggest dual-booting with the distro AntiX Linux which I use, you can use Windows VSTs on it through a wrapper. And This AntiX on a netbook boots on a 5,400 RPM hard-drive like UEFI booting. It’s pretty damn fast and Windows 10 took forever to boot on this thing that I use. And it’s actually more useful than Windows. And very snappy and responsive on this low-grade machine I use. If you don’t want to dual-boot, I guess an VM emulator? LMFAO! where am I even going with this? okay, bye.

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Not sure, if already reported, but Renoise does not seem to be able to import chord tracks. Only one note will be imported then.

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I wonder if this a Renoise or Picked Acoustic bug, whenever I put a NI - Picked acoustic note (default chord loop pattern on either Kontakt 6 Full or 7 Player) on the first line of a pattern, it plays correctly the first time, but when the pattern loops back to the beginning, it suddenly stops playing and won’t start playing again as long as the song is playing. If I put it on the second row, it plays normally for the first time, but then instead of keeping the loop playing, it stops when it gets to the first row, but then starts again when it gets to the second row.

The problem is only with the first pattern of the song, if I make a multipattern song where the note is always in the first row, the song plays correctly until it reaches the end and loops back to the beginning, it will not play the first note, but when the library is triggered for the second time, it starts playing again. So If I make a song with two patterns and the note is on the first row of every pattern, the first time it plays both patterns correctly, but with the second loop it stops and will not play anything during the first pattern, but starts when it reaches the first row of the second pattern. If I make a one pattern song, it plays correctly the first time and after it stops you never hear it making any sound again unless the song is stopped and started again.

I can’t replicate this in Studio One, it works correctly every time. I also played with all the settings of the library and with renoise track delay settings etc. but nothing seemed to work.

Latest Renoise, latest Windows 11, latest everything.

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I’ve bought 30 year old Roland Alpha Juno-2.
Basically what i want to do seems very simple: i want to create a sequence in Renoise and have it played by the juno-2.

The juno-2 is connected by a midi cable to my arturia essential 61. When i play something on the Arturia, it will play a preset of the juno-2. So far so good, but i haven’t figured out the proper midi settings. Both are at midi channel 1.

In the midi-section in Renoise: what should be my midi-out? If i select the Arturia, i will not hear the juno-2 when i play a pattern in Renoise. I can also choose ‘Arturia Midiout2’ but that also does not work either. I’m not seeing any midi-out output in the midi-section.

What am i missing here?
And is it also possible to reroute the audio back into Renoise so i can add fx to the juno-2?

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Happy Friday the 13th!

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I would like to change my username to @icasiino. Can one of the mods do this for me when they get a chance?

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Hello!

I’d like to initiate a discussion about the probability parameter. It seems to me that this feature could be expanded to offer more variations instead of just a simple percentage ratio during playback. In essence, the probability setting could be adjusted in percentages as one option, ranging from Y00 to Y0F, for example.

The other values, for instance, could represent scenarios of quantity and timing of occurrences, similar to how it’s implemented in some other tools, such as from Y20 to Y2F or from Y30 to Y3F, etc.

The idea here is that this would significantly enhance the diversity within a pattern when using Renoise in a live performance and when exercising more precise control while working with phrases.

Thank you!

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Hi, hope this was not reported so far.

Im on a 2019 Intel Macbook Pro 16 and as soon as i open renoise in fullscreen it stops responding to inputs.
It then runs on like 2-3 Seconds per Frame and is overall unusable. The moment i put it back to window mode it works perfectly fine.

If i can help reproduce it or debug it in any way i would be glad to help.

• Apticx

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Hi, I have all my samples on a seperate drive D: but the browser will only let me look at C:, this makes auditioning samples a pain. How do I change this?

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I’m working on a Duplex setup for an APC40MkII, and are making quite good progress, but have been stuck fiddeling with groups for the entire day.
One thing I want to achieve is having the SHIFT button act as, well, a shift button, giving temporary functionality to some buttons. Having them in toggle mode works fine, but I’ve only got it to work partially as a momentary button.
With the groups set up like this, it shows only GroupA when starting and only GroupB when pressing shift, but upon releasing shift, it instead of showing GroupA shows no Group. And this behavior is only from the APC, using the Duplex Window controlls works correctly.

Any ideas on how to fix it? More info on how different types and exclusive works would also be greatly appreciated. There are some other quirks I prob need help solving, but lets start with this one.

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Is it possible to apply these techniques in Renoise without using external vsts ?
Somehow I can’t even get close to it,
I’ll hard-select the frequency of the filtered notes for EQ, but it’s still not the same.
Any idea ?
Thanks

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X axis > Low Gain/Trim
Y axis > Hi Gain/Trim

Circling the dot around through the pad’s quadrants goes through Bell shape, Bowl shape, Slope Down and Slope Up shapes of EQ curve.

Middle gives flat curve.

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