Renoise Forum

Hi,
I was kind of bored today, so this was created this morning.
It’s an attempt at wavetable synthesis, with the fact that 2 samples are still needed for this.
From which and to which sample it will morph.
As the first sample in the instrument, from where and to the second sample in the instrument, where.
The number of samples to be created in the instrument is set,
the style of the transition according to the AD envelope.
You can also set whether the created samples will have a loop and what kind.
And lastly, it is set instrument mapping.

cz.martblek.ReMorph.xrnx (3.6 KB)

Ideas welcome.

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So, I have my audio set up like this:

• Device type: ALSA
• In device: hw:UR22C,0 (USB audio)

And this set up can lean to any kind of glitches

• all audio cuts off
• the DAW slows down to a halt
• the line-in plugin begins to re-boot constantly (as I see it in the pulseaudio’s control panel) causing an annoying clicking sound

When I set “In device” to “none”, everything works fine.

Have anyone ran into these problems? What could be done here? Thanks!

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I am a bit overwhelmed by the gigabytes of samples on my harddrive… Also have plenty of drum vsts, but where to find proper retro electro drums? Was it a 808 usually? I doubt that, something other… Is there a vst doing a fine job here?

Thanks for hints!

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I have uploaded many tracks I have made through renoise to Soundcloud. Often I find that the way the sound is compressed on Soundcloud creates weird artifacts in my track that did not exist in Renoise, or the rendered .wav. I know this is an issue in many ways outside of Renoise, and is related to mastering a track in general, but does anyone have a suggestion for the best place to upload your tracks that does not create the same artifacts as Soundcloud? If I could just upload full quality .wav files I suspect the artifacts would not appear. I am not trying to advertise my music but my soundcloud is Stream bassfrienderz music | Listen to songs, albums, playlists for free on SoundCloud and all tracks have been made in renoise.

Just as a reference for what I mean, 2.04-2.20 of Stream In The Style Of The Time by bassfrienderz | Listen online for free on SoundCloud . There are artifacts that appear in the track in this time frame, for example, that in no way exist in the .wav file. I suspect some other websites such as bandcamp may not suffer the same compression issues, but I do not honestly know. Interested in any opinions on this general issue with uploading renoise tracks to the net. I know youtube is of course another option. Thank you.

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Actually I forgot the last version containing a 32 bit build for macos… 3.32? EDIT: Nevermind found in backstage…

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https://www.dropbox.com/s/fotfcpfibe2s0h8/rap.wav?dl=0

hi, I add today a new sound, I hope you will appreciate. good listening, do not hesitate to put your comments
thank you

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I’ve noticed that If I use any version of Renoise past 3.2 (i.e. 3.3, 3.4), the software doesn’t see the Waves plugins at all.

Steps to reproduce - open Renoise 3.3+ and look in the VST effects list.

Expected results - A “Waves” subcategory with all Waves VST effects listed within

Actual results - All plugins except Waves plugins

Basically, Renoise 3.3, and onward, does not ever register that Waves is there, but 3.2 recognizes all waves plugins up to the most current version (V14).

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So I’ve got plenty of old songs that use the VST version of Schaack Transient Shaper.
But I only have the AU version of it. How do I make it so that when VST is detected, it loads the AU, but retains the plugin parameter settings?

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A custom sample mashing app designed by Aphex Twin.

I’ve not yet tried this but the description sounds pretty fun,

“A custom sample mashing app designed by Aphex Twin”

Samplebrain chops samples up into a ‘brain’ of interconnected small sections called blocks which are connected into a network by similarity. It processes a target sample, chopping it up into blocks in the same way, and tries to match each block with one in its brain to play in realtime.

This allows you to interpret a sound with a different one. As we worked on it (during 2015 and 2016) we gradually added more and more tweakable parameters until it became slightly out of control.

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Hi there! I’m new to these forums so if I screw something up lemme know.

I have been trying to do live MIDI devices through an audio interface to Renoise’s input. However, in the middle of recording something there has always been some kind of input glitch that keeps happening. It lasts for a few seconds, but after this happens the instrument is completely off tempo.

I have tried to adjust every setting I could with MIDI and the input settings since I thought it had to do with either MIDI or audio latency, but this problem always keeps popping up no matter what, so it’s not that. This isn’t a unique problem to my audio interface either, as I have tried a cheap RCA to USB input as well and it happened there too.

Is this a common problem with audio inputs within Renoise? Is there some kind of setting that I have to adjust? If not, is this a problem with input or is my machine’s CPU just too slow?

Thanks!

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NI just released Komplete 14, and with it comes a brand new version of Kontakt (finally).

unfortunately it acts really strange in renoise. when i load it in under the plugin tab, the kontakt window shows up, and it works fine. but for whatever reason, once i close it i can’t open it again. no matter how much i double click on it in the instruments panel, it won’t open.

if i loaded an instrument into it before closing it, i can still play the instrument, i just can’t open the damn window. no matter if i’m in the plugin tab, the edit tab or whatever.

it only exists as VST3 so maybe that has something to do with it? i don’t have any issues with other VST3 plugins however (except massive x, but at least that’s available as VST2 as well).

kind of a bummer as i’ve been looking forward to an updated kontakt player for ages, and now it’s here and it …sorta works? i just can’t see the damn window.

anyone else?

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hello,
I’m trying this, but somehow I don’t want to push the sound out
win 11 and behringer usb sound card.

Samplebrain

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The envelopes on ms-20 does not retrigger. I often copy a drum groove to the track wich triggers ms-20, wich means that i manually have to enter the off command before every new note.

Is there any tool that automatically insert a off command before every new note? Or other work arounds?
I’ve tried Note Off Tool | Renoise but does not do exactly what i want.

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The free and open-source software aims for "end-to-end production tool" status

I’m not a big user of Audacity, but this might interest some folks.

Lack of MIDI support sort of stops it from being a proper DAW in my mind, but having some other audio tool can be handy.

Can’t beat the price. : )

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Would be good to have an additional control at the start of the Doofer Chain that is a Wet/Dry blend for the dry signal and wet signal as it is processed by the contents of the Doofer. I believe, with absolutely no experience of programming or anything of the like, that this would be easier than creating a whole new Parallel FX container.

Would be great. That is all.

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https://gentoostudio.org Gentoo Studio is an actively maintained, source-based, 64-bit desktop real-time Linux audio production system based on Gentoo Linux.

I’ve first heard about it today. I’d like to try it out. Anyone had any experience using this distro?

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When adjusting a lot of slice markers it would be helpful if we could have a mappable shortcut to jump to the previous/next slice marker from the currently selected one. Using the list of slices to the left opens the slice in isolation, not offering the option to adjust the slice marker’s position.

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Lately I realized again, how fancy the deprecated Filter 3 works as a highpass filter. It seems to me the most balanced filter in this regard, the perceived volume stays the same. Especially if you aim for adding a bit of resonance at the fundamental for compensating the lows you just cut off. Let’s name this kind of mixing the 80s style of mixing. In the end such kind of mix appears more dense and “warm” This filter is the holy grail for adding warmth like a fireplace (esp. mean the “24dB 4Pole” filter type).

The digital filter isn’t bad and very useful, but can’t reach this specific kind of quality.

After I replaced all digitals filters with Filter 3 in all my mixes, the I rock the garage again.

So I would love to see a revised version and a de-deprecation of the fancy Filter 3. Maybe adding oversampling, maybe adding pre-/post drive optionally, or maybe even make it open source? Very likely it is not an algorithmic masterstroke, but instead just very carefully chosen by good ears. At least I find it kind of sad this it was deprecated.

The analog filter sounds nice, but does not seem to be a good replacement, since the filter types are too specific. Or maybe I just need to try it more…

What’s your opinion about this topic?

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Like when Middle-clicking on a track in the Pattern matrix or the PLAY button inside the track to mute it for the pattern it would be nice if you could also Middle-click the PLAY button of the columns too mute them the same way, that’s not possible right?

Just realized it’s possible to rename the ‘Note’ text in the columns

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