Renoise Forum

Hi, does anyone have experiences with working on Renoise with a touchscreen?

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I have a weird problem: I will be using redux without any issues when all of a sudden none of the drop down menus will drop down when I click them. I also am unable to right click anything. So I can’t destructively render a sample, duplicate a phrase, change the mod and fx sets etc etc. The problem goes away eventually but I have not found any specific action I can take to fix it, it ends as mysteriously as it begins. this happens almost every time I use the plug in, and it really messes up my flow. Anyone else had this happen? Anything I can do? I am using redux in reaper, on a dell laptop running windows 11.
Thanks in advance!

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Hello old and new friends, nice to see you still rocking with this amazing piece of software. Its been a while since i made some songs and shared with people so i decided to put together some of the stuff i´ve been working on and show it to you. This one is a bit noisy, a questionable mixing, also has some beatles samples and it´s constructed around some chops of an old brazilian singer called “isaura garcia” (heavily distorted of course), the song is entirely made in renoise. I intend to be more active from now on because i feel it is something thats lacking in my life and it used to bring me so much joy. hope you can enjoy it as it is. Anyway, im planning some more by the end of the week. hasta la future comrades!!!

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everybody automatically thinks of that sick drum fill from in the air tonight

but I’ve been obsessed with mimicing the sound from this song [Robert Plant - In the Mood (Official Video) [HD REMASTERED] - YouTube] using Martblek almost drums tool.

It’s great, I love it.

such a rich and dynamic snare sound and the finality of the kick is inexorable.

Here is my attempt… I blended in some r8 samples into the snare, too.
mood for a melody d.a.m.a.g.e…xrns (1.8 MB)

any thoughts on setting up DSP chains that would react to velocity sensitivity? I suppose with gates?

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I’m looking for efficiency ideas to save time/effort. Happy tracking!

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Hey there, would it be possible to change my username to cybermonk since that is the music name I’m going with. Thanks

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hey y’all,

Does anyone know if it’s possible to get something like this (link below) pressure sensitive gaming keyboard to integrate with Renoise? I’m a bit new to Renoise but this feels like a big deal to me (if possible) for minimalism sake + music making enjoyment. Maybe this is already discussed here but wasn’t able to find a topic.

On Wednesday, Razer announced the Huntsman V2 Analog gaming keyboard. From a physical design standpoint, Razer's newest mechanical keyboard is identical to the excellent Huntsman Elite. The...

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Hi,

Is it anyone here that tried Ripchord in Renoise? I can’t get it to work (I’ve been looking in to other DAW’s and how they set it up), but Renoise differs from those DAW’s, and I can’t really figure it out. Do anyone know how you set it up to work in Renoise?

Thanks in advance,

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That’s a big sad and irony! after trying the demo i bought the plugin and it stopped working. plugins disappeared after scanning and even reinstallation did not help.

Mac os 13.1 Renoise 3.4.2

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Hello,
AD-NG is a follower of AlmostDrums,
other methods of sound creation are used
and there is a greater emphasis on Glitch creation.
More in the ABOUT section of the tool.

V0.01 Initial release
cz.martblek.AlmostDrumsNG_15012023.xrnx (94.4 KB)

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Using the shift key to enter FX values appears to work differently between local FX and master FX in a track.

For example, if I place the cursor in the master fx column and type Shift+G, then “g” is entered and the cursor moves to the right, so I can enter a value.

However, doing the same thing in the local fx column moves the cursor down, which means if I want to enter a value i need to press Up and right.

Is this expected behavior? Can it be customised?

Thank you for reading

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I’m punching in notes with a drum pad controller and I keep fat fingering an extra pad and adding an unintended additional note/column. Is there a way to disable this behaviour?

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Is there a way of the command “B00” not play the whole sample in reverse but a slice that I put in the Pattern Editor?

More specifically, if, for example, C404 is the 8th slice in total of 12 slices of a sample, when I put B00 in FX column, it plays the whole sample in reverse. Any ways of playing that slice specifically in reverse?

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So I’ve managed to get a linux setup with yabridge doing a reaonably good job of letting me open my old windows projects. I’ve only wrapped a few VSTs to avoid overdoing things, and one thing I’m trying to figure out is whether there is a way to associate a native linux VST with the VST that was used in the windows project.

Specifically, I’ve installed (native linux) pianoteq, and when I open a project I get the “VST not found” message for the windows version of pianoteq. I tried installing the windows VST, but no luck, it just crashes. Of course I can replace the instrument, but that will destroy the preset settings, and break the project on windows. Not a big problem for pianoteq, but I can see this being an issue as I continue.

Anyone know of a solution for this? Is there a way to spoof a linux-to-linux bridged plugin?

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So, looking deeper into FM/PM/PD/AM, one can get VERY close to all sorts of these 2-OP FM sounds with just the Distortion module. They are basically altering the waveform’s shape. Using a basic sine-wave, run it through this Doofer.

What makes it useful for synthesis is the amount of limitation used in the Doofer. The distortion module is very heavy-handed to use on its own, without limiting the amount of distortion used. Taking the Doofer and controlling how much distortion can happen now makes the distortion models useful for melodic work, instead of just distorted fart sounds. With the other knobs, one can select the model of distortion, the tone, and the amount applied.

I imagine this could also have control via LFO one-shot to create envelopes? What do y’all say? Maybe we could make another Doofer with this that controls the envelope?

Pseudo FM Init.xrdp (3.3 KB)

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Hey Renoisers,
Woah, it’s been a while! I’m back to say that GPU Audio (who I work for) have just launched an IR Creation Competiton. We’re offering over $6,000 of prizes supported by AMD, NVIDIA, Sonible, MusicByLukas, PresentDayProduction, and Bedroom Producer Blog.

All the details are here: https://www.gpu.audio/IRCreationComp

Making an IR is really simple, and there are some free tools you’ll find for Windows and Mac listed on the Competition page! There are 3 steps to enter the competition:

• Register an account on https://gpu.audio

• Create an IR using hardware, software or acoustic spaces and upload your IR processing the sounds from the Asset Pack to YouTube with the hashtag #GPUAudioIR

• Send your IR, a description of how it was made and your YouTube video link to ircompetition@braingines.com

The competition is open now, and closes on the 23rd February 2023!

We’re looking forward to hearing your entires, good luck!

GPU Audio team

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Is there a way to have, for example one track set to 512 lines while another at 256 apart of the same pattern sequence?

Basically what I’d like is for the longer pattern to continue while the shorter ones loop.

Apologies ahead of time if I just need to RTFM diligently

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I am talking about the beginning of this song (0:00 to 0:10) linked here seventeen - YouTube

I’m not sure but did the author made 2 tracks with sine wave chords playing alternately and added a distortion + some other stuff to the second track? Sounds like it at least for me

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Often a vst fx has a ton of parameters, and its quite hard to find the parameter you want to manually automate… If the device parameters are expanded, there could be a live search field right next to the preset name, which filters the displayed parameters on the fly…

Maybe there could be also “pages” of two colums with some kind of pagination instead on the top right, so only 2 columns at once will be shown in this mode and you can step thru [1] [2] [3] …

At least the current way of expanding maybe like hundred of parameters is a bit counter productive in my opinion. Somehow this could be improved for faster access. Ideally Renoise could automate by itself already in the vst guis, maybe with a similar mechanism like the gui automation recorder tool.

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