Renoise Forum

The latest update should have fixed some problems , but it doesn’t load i renoise

ReDominator - Alpha Juno emulator

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Does anybody recognize that sample?
“I’m the fuck you man!”

https://music.youtube.com/watch?v=Ws4eE7QNtlM
^^song: I’m the fuck you man

I love you all and have been programming for 70 hours a week on Your Renoise Tools. Of course I am a very wrong person for doing that. Many got executed and terminated.

Here I am, cripple, unpaid…

I just wanted to say: fuck. fuck fuckerdifuck fuck fuck fuck. fuckerdifuck fuck fuck fuck fuck fuck duck fuck fuck fuck fuck fuck fuck fuck.

You too!?

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All Renoise, all handmade, no algorithms- I present “Object Models”!

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Has anyone attempted (or succeeded) at creating this type of compression in Renoise? I’ve gone as far as loading up 6 OTT’s automating multiple parameters with hydra and I’m no where close to the sound. Does anybody have any idea how this could be achieved using … well ANYTHING AT ALL … lol … I’m desperate at this point.

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Hi there, I’ve got an issue I did not find the answer elsewhere.

First of all I want to note that I have tested demo version of Redux and found out that Redux enlarging DAW’s project file. What is my setup?

I have plenty of sfz files with different volume of attached samples.

My main setup is Ableton + sforzando. Initially sforzando has no AHDSR controls (you can add them by text coding) and limited number of FX (can also be added by text coding with free MDA plugins). You can imagine what job should be done to implement all these stuff to each sfz.

Redux is more promising in respect to all above comparing to sforzando but I was confused with the fact that Ableton’s file with solely Redux track was 30 MB, the same volume as size of listed in sfz samples.

For example Ableton file with same sfz but using sforzando was only 80 kB.
Same situation with Reaper’s project file.

So, my request is to port samples into project only not to embed them into project file.

Is there any feature in Redux to swithch it off?

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Hey all,

Time for another challenge! Bust out your field recorders, because the rules are simple: ALL sound sources must be real-world acoustically generated found sounds.

No musical instruments of any kind, no intentional singing, but speech, sounds of nature/human engineering in the built environment, and anything you can knock on, bang on, stimulate, or excite in any way can be used as a sample. Foley sample packs are fine if you don’t have a way of capturing your own sounds, but no instruments or anything intentionally musical. You can use these acoustic sounds as waveforms for synthesis if you wish, but extra points for NO synthesis. Plug-ins for processing audio are fine for this one.

No time limits, no prizes, just an opportunity to dust off your recording devices and have some fun working with creative constraint within the excellently capable sampler that is renoise. There is a whole world of sound to capture out there… looking forward to hearing what you can do with it!

peace & happy sampling

zensphere

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When using the trackpad on my macbook I find the sliders in Renoise to be way too sticky, would be great if there was a global option change the drag responsiveness of sliders and value boxes that allow up/down dragging (like the volume box of an instrument).

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When you enable OSC server on a Mac? How to set the firewall?

User wants to know if dad can play his piano over the network over a mac, i’m afraid it can but who is dad, what software does he use and who knows how to set the firewall? I have told him to disable the port 8000 (the default, used OSC server port) in his modem/router. In windows this is no issue, as you can set the domain to “private” and only allow your local computer.

Also read: Open Sound Control - Renoise User Manual

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Hi. I have a 4 note chord using a VST (Surge, pad sound) and I want the first note to pan hard left, the second to pan hard right, 3rd maybe somewhere else in the audio field… you get the idea. But I can’t get it to work. Seems the right most track governs the final pan and all of the notes sound in it. Also tried send routing but that didn’t work.

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Hi!

I’m working on a track where basically snares make peaks hitting shortly top of headroom.

Here is the rendered view in audacity:

I think in this case a limiter could help on the snare, but I wonder if this is possible to do with Renoise native effects avoiding saturation (just attenuate the signal, not cut it)?

Or if there have external tools/VSTi/AU recommandations you can also tell about of course.

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Hey. I would like to use my Beatstep Pro to start and stop Renoise, but when I press play, it always starts the track from the first pattern. Is there any way to change the behavior so it starts the current pattern? (ie, mid track) Thanks

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Hi Everybody, please check out this new tracker module.

My newbie attempt at making it minimal, tried to do some
more panning and mixing in this one using the tips i’ve
learned from you all here on these excellent forums.

Jek_darkMinimal_01.xrns (856.4 KB)

Hope you enjoy and have a nice weekend

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Hi all!

Just a little post to give a feedback not about the forum wich work perfectly, but about Renoise’s website. I went here recently and I had this feeling that it seems a bit outdated, isn’t it?

One issue is the website seems missing to be completly responsive. I think this would be better to be updated, especialy for new users who visit, but I know it some extra work or rework.

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Track 1 is a mess without good headphones - I need to git gud at mastering, and remember to listen in mono as well when producing! But I’m leaving it as-is, as a memento of my own progress.

Super happy with tracks 3 & 5 though. Especially the instrumental break in track 5 - I even had a minor sound-design win there, a rare moment of something actually sounding almost as I imagined it before the painfully-imperfect process of attempting to capture it in a track.

It’s also rolling out to streaming services as I type. Not quitting my day job, but I’m enjoying myself.

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The question is…

can ChordLord really make better music than I do?

I have been programming about over 1/3rd of the code for this tool. It features, in v3.06.235, 235 chords to click, selected in harmony with each scale / note. You can choose a chord complexity level for a less dense selection of chord buttons, and there is a 4 mode arpeggio for step editing. It also features a “jump” and “jump up” button for fast track editing. Please update your ChordLord, a tool for Renoise 3.

visit the ChordLord forum topic to get to know more and post your music made with ChordLord in this topic.

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As brought up recently in the ringmod thread by ffx , this long lasting bugwhere envelopes are dependent on the bpm /lpb
Here’s an example( modified instrument by user ffx ) just play the instrument with the keyboard and drag the main bpm slider with your mouse between 60-140 bpm ( while triggering the instrument) ,the difference is night and day
This should be fixed bug.xrns (796.1 KB)

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Hello fellow Renoisers,

i openend this thread to see what usecases you might have for the new #Sidechain device.

Cheers !

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Hello again,

On my way diving into the sounds of the good old Commodore 64 and the SID chip I stumbled upon another effect which is called Pulse Width. It can be applied (has effect) only on a rectangle (square in ReNoise) waveform, and it has to be applied in order to hear anything. It can have a value from 1 to 4095. I wrote a small basic program which plays the note C-4 and changing the pulse width with a step of 16:

Of course my question would be how to recreate this in ReNoise and can it be controlled within a track. I found a couple of topics here with some demos, but all links are unfortunately dead.

One idea was to create a simple square sample with a forward loop, duplicate it and apply Invert Phase on it. When you play this you should here complete silence. BUT changing the loop starting/ending point on the second sample will produce something similar to pulse width.

Unfortunately I didn’t found a way to control the loop start/end point from a track. It’s also strange that ReNoise is not offering this out of the box as a part of a sample modulation.

I’ll appreciate any help (please with detailed steps, since I’m a new to ReNoise).

Thanks!

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I have been eyeing the Polyend Tracker just for the sake of not being tethered to the same desk I work at all day when I want to make some music - also to act as a sequencer companion to my Digitone, but this is besides the point.

One of the features added to the PT in recent updates, in addition to the pre-existing “fill” within a set range is the idea of a Euclidean fill option. For example, I would like to be able to select an FX column and with predetermined settings, i.e. every line, every other line, every 3 lines etc. fill the FX column with a random value of the Yxx probability command - even perhaps giving a range for the randomness i.e. Y80 to YCF. Additionally a Euclidean fill for the note set up to trigger hi-hats would be useful, as well as being able to set a random range for the velocity of each note before they are printed to column.

I love the sequencer as it is, but manually adjusting Yxx on a per line basis is a little frustrating at times.

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I’m assuming the answer is no(with maybe some work arounds using phrases)

I’d like to have the ability to separate the audio sequencing and the effects affecting the audio to make it more dynamic.

Is there a way to externally trigger certain effects commands?

Thank you

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