Renoise Forum

@Raul wrote:

Some time ago I tried Musescore, which is a free music notation software, and for some reason it didn’t convince me.

But lately I have given it another chance, and now I think it’s a great software to compose in sheet music.

I would like to know if anyone knows any way to link Renoise song data, which uses XML files, with data to represent notes in the Musescore scores, which also uses the XML format to save data. This would be to handle only text data, which would be very light.

If Renoise had some kind of relationship with Musescore it would be great.

I doubt that an LUA tool can be built that can convert Renoise XRNS songs, into a direct score for Musescore. I guess the only link would be the XML file data.

If someone is interested and knows these issues, it would be nice to investigate all this.

I imagine a tool that can turn you into a score pattern for Musescore, and it would be extraordinary.

Why Musescore? It is a free, open source software and on top of it it is very well done, surprising to be a free software. It is a luxury that such things exist. It has constant maintenance and a long history. It is compatible with MIDI to play several instruments (use the sound card for that) and among other things it allows you to export the sheet music in PDF.

So, does anyone have any ideas on this subject? I find it very interesting for any musician who uses Renoise.

Initially, I have in mind the problem of note offs to determine the duration of the rhythmic figures, as well as the accumulated notes in the same column, the configuration of continuous notes and all those things. It seems very complicated.

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@stoiximan wrote:

Hello you guys.Here is another one

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@lie2mehrdr wrote:

Hello everyone,

I’m using a Launchpad Pro as my midi controller for the sampler and I notice that when I have Poly aftertouch enabled and engaged while playing a note, the AHDSR envelope doesn’t trigger the release. When I have the launchpad set to either channel aftertouch or aftertouch disabled, the AHDSR triggers as expected. I’m new to Renoise and I’m not that familiar with aftertouch either. Anything I could do to get it Poly aftertouch to trigger the release?

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@nineborn wrote:

I am trying to rewire Renoise 3.2 to Pro Tools 12.0, and I cannot figure it out, or if its even possible. There seems to be very little information on the web.

I used to use Reason, and could rewire easily. I get an rewire error when i load Renoise, after loading Pro Tools.

FWIW im using the demo version. I thought this would be it, but it says it should work on their page (with restrictions).

Im using Renoise 64 bit, and my pro tools is brand new, and i assume its 64 bit.

Anyone?

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@thepathologist wrote:

Hello

Most of my plugins look fine in RN 3.2 on my 4K laptop screen - except Sylenth … can I change this or is it something that needs fixing ?

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@Raul wrote:

R3.2.1 W10
Currently, Renoise has a usability problem with the Instrument Editor tabs. It is a problem of design, of behavior.

The Instrument Editor has 3 main tabs:

1. Sampler
2. Plugin
3. MIDI

The problem

The problem is that Renoise always retrieves the Sampler tab when the user changes of instrument slot in the instrument box.

The expected

What is expected is that the instrument editor remain in the tab it is on. The user should have control over this.

Several examples:

• If the user is on the “MIDI” tab, when switching instruments, it should remain on the MIDI tab. This does not happen. Renoise jumps to the “Sampler” tab.
• If the user is in the “Plugin” tab, when switching instruments, it should remain in the “Plugin” tab. This does not happen. Renoise jumps to the “Sampler” tab.

The only case that works correctly is if the user is in the “Sampler” tab, because he will always be forced to switch to this tab, every time the user changes the instrument slot.

If the user only uses samples in his song, Renoise will be a luxury as it is now.
But if the user uses plugins or MIDI, Renoise is very annoying to control, because it forces to change constantly to the Sampler tab.

To understand the problem: “ridiculous” scenarios

• Imagine that the user only uses VSTi plugins in a song. This is a perfectly feasible scenario. Then the user will be continuously fighting between the Sampler and Plugin tabs.
• Imagine that the user constantly uses the MIDI tab, for example, to adjust the routing of various instruments. Then the user will be continuously fighting between the Sampler and MIDI tabs.

The conclusion is that Renoise, as it is now, seems to make this message very clear to the user: “Hey, use only samples, do not use VSTi or anything from MIDI, such as routing. Use only samples!”

From the usability point of view, there is no reason for Renoise to always switch to the Sampler tab, every time it changes the instrument slot in the instrument box. This behavior can drive the user “crazy”!

@taktik. I propose that, if you wish to maintain this behavior, at least offer an option in Preferences, to keep the instrument editor tabs when switching between instrument slots.

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@rainydayshirts wrote:

Wondering if maybe the Convolver could get an update to add some form of visual representation of the the IR waveform and frequency range like in ReaVerb [Reaper].

This would be neat. Maybe make it a disabled by default view that could be enabled like the graphic full view in native EQ5 DSP.

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@ffx wrote:

Hi,

I love the tone of the Renoise EQ. But when it comes to detail work, it is a bit retarded. Here is an idea how to improve workflow with it in a very simple way:

1. Selection of multiple points and then dragging selected points at once. For example, if you transpose something you might simply want to move all eq points accordingly on x-axis. But also on y-axis it might be very helpful.

2. Scaling / stretching of the selected points, by holding down a modifier key and dragging up/down. The mouse position can be the center of the scaling, around which the points will be scaled in distance. Also in x/y-axis.

3. Multi point resonance editing, by selecting mutliple points and dragging while right mouse button drag.

I think these three additions would heavily improve usability and also are only GUI/workflow modifications.

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@TheBellows wrote:

Long time since i posted a track, so i need to step up my game and i’ll start off with this silly thing:

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@ToybOx wrote:

Hi its been a while!Here are some track previews, if you care…

https://soundcloud.com/sick_puppy7/grind-snippet
https://soundcloud.com/sick_puppy7/9dyde03zppqp
https://soundcloud.com/sick_puppy7/bcnhzagnlwjm

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@EatMe wrote:

Penthouse New Mexico

Free download: http://www.eatme.pro/music?search=penthouse%20new%20mexico

Music by EatMe
http://www.eatme.pro/music

Made, mixed and mastered in Renoise 3.2.1

Gm/Eb Bb/G Eb/C Gm/Bb

VST Instruments:
AAS LoungeLizard EP
Acoustica Pianissimo

Piano (chopped):
1791:Piano, Acoustic, Rhythm DixielandMedium Sw 110 (1 count before beat)
Bass (chopped):
1253:Bass, Electric, PopShiningHeldEv 120 (Double-Time)
Guitars:
873:Guitar, Electric, Rhythm ModernRnbRockFunkyOffbeat Ev 065
3245:Guitar, Electric, Rhythm FunkyBluesSol ev16 090
2618:Guitar, Electric, Rhythm Funk16thsMutedWahWah Ev 16 100
Realdrums (alternated):
SmoothCoolBrushes: a: Snare, Hihat b: Snare, Ride
SambaFull^1-a: Sticks , b:Ride Contemporary (Double-Time)
BossaBrushes: a: Sidestick Brushes b: Sidestick, Ride (Double-Time)
BossaRockPerc^1-a: Congas, b:Percussion Busy (Double-Time)
BossaRock^7-a:Sidestick, Hihat Loud , b:Sidestick Ride (Double-Time)

VST effects:
SupaPhaser by Bram
TokyoDawn Labs TDR Kotelnikov (mastering compressor)

Internal Renoise effects:
Compressor
Analog Filter (w/ Drive)
Maximizer (Limiter)
10-bands Equalizer

A lot of fun to make.

Penthouse New Mexico by EatMe
Free download: http://www.eatme.pro/music?search=penthouse%20new%20mexico

Music by EatMe
http://www.eatme.pro/music

Some rights reserved,
see http://www.eatme.pro/about for info
(CC) BY-NC-ND © § 2020 music by EatMe - www.eatme.pro

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@muckleby wrote:

Brief description
0UXX command has strange behaviour on Timestretched samples

Steps to reproduce

• Load sample / instrument
• Enable Beatsync Timestretch
• Enter 0UXX command values in for that instruments notes in the Pattern Editor

Expected results
Pitch slide up at same speed as 0DXX command

Actual results
Much slower (and delayed?) slide than with the 0DXX command

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@muckleby wrote:

Brief description
Pattern Editor Panning column has no effect on Timestretched samples

Steps to reproduce

• Load sample / instrument
• Enable Beatsync Timestretch
• Enter values in Pattern Editors panning column

Expected results
Stereo panning for each note with a panning value

Actual results
Stereo centered audio for all notes

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@midierror wrote:

An interactive music video for the Chemical Brothers - No Geography. Modelled, animated and designed in Unity, with motion capture and additional effects in Resolume controlled by a Novation Launchpad.

midierror

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@giampablanca wrote:

If I have a song with more BPM … Is possible to save the Tempo Track in *.mid ?

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@Raul wrote:

R3.2.1. W10
I had not noticed this detail so far, but there seems to be a strange situation in the MIDI input or an error. What happens:

It seems that all octaves are shifted an entire octave up in the MIDI input, something that makes no sense. In the MIDI Output it works correctly. So:

1. If you press C-0 or any key on the octave 0 of your physical MIDI keyboard, it will not return any notes (it will not record anything in the pattern editor).
2. If you press C-1, it will record C-0
3. If you press C-2, it will record C-1
4. …
5. If you press C-9, it will record C-8
6. If you press C-10, it will not return any notes. Then, the whole octave 9 cannot be recorded from the MIDI input. Again, something that makes no sense.

I have tried this with several MIDI devices and they all work the same way.

I wonder if this matter also has something to do with the mess that exists with this other problem:

Frequency tooltip in spectrum panel Help, Support & Bugs I always wondered, why is the frequency tooltip in the spectrum analyzer displaying a note one octave higher than one would expect? [Zwischenablage01]

@taktik. Please, I propose that these two issues be reviewed in depth and corrected. Currently, Renoise is confusing as it is now, in the handling of the octaves.

I think I should start recording at the eighth 0, and the spectrum should also start at the eighth 0 (with A-4 = 440Hz). Renoise should be more consistent here, and not make strange transpositions, and it is also confusing when it comes to building tools related to this topic.

It would be nice if someone else confirmed this issue…

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@stoiximan wrote:

A very dark piece.Sorry if the mix doesn’t sound good i just cant do it,its not my thing.

Charon , the ferryman who conveyed souls across the river that divided the world of the living from the world of the dead

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@lemn8 wrote:

Hi Peeps!..

This is something really special. I installed TikTok which is more addictive then i thought though but besides that.

Swiping along i came across this magical sound. 1st few seconds i though it’s fake because some parts reminded me of a SNES. But then it strikes me i need to do something with this melody!

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@stoiximan wrote:

Looks fantastic.

SYNTH ANATOMY – 24 Jan 20 Vital, New Open-Source Wavetable Synthesizer Plugin Is Coming Soon

Matt Tytel, the brain behind the free Helm Synth, is working on a new open-source wavetable Synthesizer plugin called Vital that will come out this year.

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@helltrack wrote:

What’s the quickest way to render a single pattern loop to audio, so you can load it as a break into the sampler? Is there a way to render a pattern selection do an instrument this way?

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