Renoise Forum

@ffx wrote:

If a vst plugin will change its required PDC dynamically, the mouse-over on the [?]-info-button still will show the old used latency, though the audio engine obviously already adapted to the new PDC. Could this may cause other bugs, too?

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@Rhythmersion wrote:

Created solely in Renoise using a mixture of VST’s and samples.
If you can adjust them, it’s best to listen to it with bass, treble and middle at the same level.
Thanks if you do have a listen.

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@Pansar wrote:

As a curious new user I went looking for some doofers to play with, but there doesn’t seem to exist a section of this in the forums?
I’m guessing something like this existed before the recent forum updates?

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@Kaao wrote:

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@ryanflaw wrote:

playing around with the fmdrive plugin

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@Pascal_Harmeling wrote:

hi guy, a link to russian promo to use Renoise

https://www.youtube.com/watch?v=zqYEx0cNNOE

BR.

Harmelbe.

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@4tey wrote:

Not a big thing. I was wondering why ‘General Discussion’ has such a dull ‘color’ associated with it? IDK yellow, something maybe a little more colorful? I assume that Ideas & suggestions and Tips & Tricks have the same category color because they are loosely connected?

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@ffx wrote:

Just as the title says. Is it an admin exclusive functionality?

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@ffx wrote:

Hi,

there is a constant LPB used in ConnerBW’s MidiConvert tool in line 491 of export.lua.

It should be instead:

It says in the description:

Does it mean that it only support M0 XXYY, or was M0 XXYY different in Renoise 2.8, and M1 XXXX was not taken into account yet? Since my pitch slides do not seem to be exported…

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@AdamWysokinski wrote:

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@bigfake wrote:

Sample start / end point automation by curves / lfo / randomizer - it would be very creative way to obtain interesting glitchy sounds. What do you think, guys?

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@milkyheart wrote:

i might still work on this one, but it’s listenable

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@Raul wrote:

Is there any way to eliminate complete conversations within the Inbox or within the Archive?

I miss a Recycling Bin. This would help not to fatten the forums. Have a little maintenance by the user with their private conversations.

Is there any way to erase them and not see them anymore?

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@Artie_Fufkin wrote:

I’m trying to emulate the shift distortion with a VST. I’m using the Robin Schmidt FuncShaper VST with an absolute value function and high pass filter(to get rid of DC offset). Getting close, but there’s just a little bit of extra grit with the shift distortion, even when I’m just about matching levels.

Can anybody shed some light or provide conjecture on the implementation?

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@Micah_Lawrence wrote:

https://drive.google.com/file/d/1sQkdOCjZGQNyv0CXPwqJr5fnzarqCDK_/view?usp=sharing

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@fredeke wrote:

Hello everyone.

Here’s my issue: I’m controlling an external synth with Renoise via MIDI (a Moog Sub37, if you need to know). The preset on the synth uses glide in a legato fashion, which means that it glides only when MIDI notes overlap each other. That is how I want it, and it sounds great when I directly play the synth’s keyboard.

But when sending MIDI notes from a Renoise sequence, there is no glide. That is because Renoise always sends a Note Off message just before the next Note On. So there’s no overlap.

The obvious solution would be to create two columns in my track, and alternate notes between them. I don’t like it because it’s ugly and confusing to look at, and twice more keyboard gymnastics to write down.

Is there a way to delay the Note Off messages ? Or some other way that would result in short overlaps (even a 1ms overlap would do) ?

Note that I also use manual Note Offs in the composition from time to time, so that a last note of a phrase doesn’t go on indefinitely. This I obviously would like to keep

Thanks for reading so far

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@ffx wrote:

Hi,

today Ableton 10.1 was announced, featuring very interesting features like VST3 support and magic trackpad gestures support:

Also this new delay device looks great:

See those new modes “Fade” and “Jump”, it looks to me like Taktik made it (which I don’t know of course). Did they manage to implement a working multi-fade mode (also smooth while delay length changes), or is it a single fading? Once Vojtech of meldaproduction told me that multi-fading was mathematically impossible.

What do you think about it? Does VST3 support mean that note expression already is there, too? Will MPE then follow?

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@digitalpython wrote:

Hello, dear friends!
I humbly present my new electronic project.
Almost everything I compose in trackers.
You are very welcomed to join/subscribe.

https://vk.com/digitalpython
https://www.youtube.com/channel/UCQkoVY … TLYif0bAFw

Best regards from Russia

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@jljosh02 wrote:

What’s everyone’s favourite non-tracker music software? I like FL Studio best. I like it’s native effects/synths and the way it handles arrangement and composing. I’ll admit if it weren’t for Renoise’s far cheaper price tag and better sample manipulation options I probably would have chose FL over it. Maybe when I have enough money someday I’ll pick it up and use it as my secondary DAW.

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@Pansar wrote:

Hey peeps!
A newborn tracker here. Very early days, but im completely sold on the whole tracker paradigm after using Live and such for the last 20 years or so.

Anyway.

My question is, what do mitch murder do to get his pitch bends so smooth/to avoid the stepping? (see image)

I’m guessing he increase the ticks between lines/raising the resolution?

Not sure what the Cut command is about there… Any light on the matter would be cool!

(I get that he is affecting the notes in the left track, but doing so on another track. So he can affect all the notes at once?)

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