Renoise Forum
Repeater and recording the notes
Hi
This might be a really stupid question… I am using the repeater to manipulate a break and using the right hand mouse button to record what I am doing. When I play the song back do I have to turn the repeater on to hear the edits- at the exact time? This seems difficult. Also when I export the song will the edits be there? Sorry I am a newb and this is confusing me
1 post - 1 participant
Window frame of tool has the same dimensions in Win-MAC-Linux?
This is a bit of a weird question but I need to know if the floating tool window (:show_custom_dialog) has the same dimensions in the frame for the 3 operating systems Windows, MAC and Linux.
That is, if the top bar has the same height in pixels, or the side lines of the frame have the exact same thickness and if the bottom line also has the same thickness.
If we create a tool that needs to calculate the entire window surface and we use an operating system like Windows 11, we need to know if the calculations are going to be exactly the same for MAC and for Linux.
Unfortunately, I don’t have the necessary computers to test all 3 platforms.
I assume that all these dimensions are equal, but I have no way of verifying this.
1 post - 1 participant
Single-cycle sample based Synthesis in Renoise
I have made this short video to implant some curiosity in you
might work or not… let’s see
1 post - 1 participant
Request for clarification on VST3 parameter automation update frequency
Hi!
I’ve noticed parameter automation in Renoise is not nearly as smooth as in other DAWs (tested Reaper, Bitwig and FLStudio).
Scenario is the following:
Load Surge XT into Renoise, create a single pattern of length 32, BPM 120, LPB 8, play a single C4 note from the start (Surge defaults to saw osci). Add an instrument automation control that varies Surge’s filter cutoff from 0 to max in those 32 lines. So +8 per line. The resulting changes in filter cutoff are audibly stepped. I am running at 48khz with the default 12-ticks-per-line, but varying any of those 2 doesnt seem to help much.
Is this expected behaviour? And if so, why? Reaper and Bitwig, on a similar simple demo, perform filter cutoff modulation absolutely smooth. Sorry if i’m missing something.
So really how often are automated vst3 parameter updates supposed to be sent to the plugin processor?
For some in-depth details: I’m developing my own VST3 plugin (just used Surge as an example because anyone can download it) and these are the results I’m getting when I am debugging automation events in my own synth:
- Reaper with 160 block size, 48kHz gives me 1 update per block, so 300 per second
- Renoise with 480 block size, 48kHz gives me 1 update each 8 (!) blocks, so only 12.5 per second
- Renoise with 128 block size, 48kHz gives me 1 update each 20 (!) blocks, so only 18.75 per second
TBH i have not debugged Bitwig nor Fruity but they do sound smooth, so I am assuming loads of parameter updates in those, too.
Now I know all of this can in theory be solved with internal parameter update filtering in the plugin (actually tried that, sounds smooth with an 150ms or-so low-pass), but that’s an additional 150 ms of latency. Also surely it cannot be the case that a somewhat mainstream synth like Surge behaves so radically different in Renoise vs any other DAW just with default settings?
Any insights and/or clarification greatly appreciated. Or even better please just tell me that i’m wrong and i messed up somewhere:)
Still loving Renoise so thanks once more for a wonderful product.
1 post - 1 participant
Mutlitap delay , frequency shifter in feedback l0op
I use the multitap delay all the time because it just near perfect, simple to use and sounds amazing .
The only thing it misses is a frequency shifter in the feedback loop (not a pitch shifter ) , the dsp code for a frequency shifter is super easy and the mt delay already has a dropdown + frequency slider for the other filter types .
I’s a win- win scenario , when setting delay time to 0ms and no feedback we get a free frequency shifter as effect to
Do it ;0 !
And happy new year to everybody
1 post - 1 participant
The meter with the red arrow responds to sound
the meter with the red arrow responds to sound, there are also the settings, you can turn off the wave sound in the settings of plugin options
1 post - 1 participant
Redux, I get a light sound wave every few seconds
I tried out the demo of redux, I managed to start redux via renoise via the plugin vst, the program works, the only problem is that I can set asio to different things, I get a light sound wave every few seconds in my headset , heard that or can you fix it in an institution?
1 post - 1 participant
What do you miss in Renoise from Propellerheads ReCycle?
After I ended up scripting “Normalize Each Slice” into Paketti, and it turned out it was in Propellerheads ReCycle originally, thought to ask - what else are you missing from ReCycle in Renoise?
1 post - 1 participant
Closing Redux Causes VST Host to Freeze for Several Seconds
Closing the Redux VST causes my VST host REAPER v7.29 to freeze for several seconds. This happens because for some Reason, Redux creates several temporary files when closing the GUI and that write process is slowed down by Windows 10’s built-in anti virus software:
This is the first time I’m seeing a plugin do this. Why is it necessary and what can we do here? Switching off the anti virus software or making an exception for the temp directory are not an option.
1 post - 1 participant
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2 posts - 1 participant
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2 posts - 1 participant
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2 posts - 1 participant
How setting my Plugins software in renoise can not find software
are there people who can explain to me something about plugins software loading renoise. I really don’t know how to set it up, I have commom files on the internet with, avid, microsoft shared, Modartt, Native instrument, propellerhead software, service, system, Vst2 and Vst3 folders, I am not familiar with it at all but I really want to Please help me, if anyone can help me I would appreciate some advice
1 post - 1 participant
Failed to initialize the plugin 'VST3: Surge Synth Team: Surge XT
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Brief description
- Everytime I try loading Surge-XT VST3, Renoise gives Failed to initialize the plugin 'VST3: Surge Synth Team: Surge XT.
- This happens in a new song, template song, or even existing song.
-
Steps to reproduce
- Open Renoise
- Load template/empty/existing song
- Load Surge-XT VST3 Shared Object library
- Expected results
- Actual results
- Build info of machine
- Additional Information
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Side Comments
- Should be on the latest build of Renoise 3.4.4, haven’t made that transition yet.
- Want to start with Renoise 1st before going down the rabbit hole.
1 post - 1 participant
Renonquet - Floating Forest
https://youtu.be/X1ZoRDiiYBw?si=x0rGS760Yf-T894E
(I was hoping to embed the video but I’m not sure if it will work)
My first song posted in 8 years. Wish I had got back into doing this sooner.
It’s a straightforward plod-along easy listening thing. I’ll try and upload some more of these soon.
If you like it, then my first album is also on Youtube https://youtu.be/8DjRbAgfyb8?si=AHjsIX-xmZw2T_B7 … also on Spotify for the time being.
Thanks
1 post - 1 participant
Exported file missing audio from one of my VSTis
For some unknown reason, my Vital Audio VSTi volume goes to 0 when I render my project as a file. Every time I render, the “volume level” knob (in the VSTi) goes to 0. I am expecting the VSTi to work normally but it just simply refuses to render with volume. I do not know how this happened. I have made a video which is easier to understand: https://www.youtube.com/watch?v=8QLXaLh37fo
1 post - 1 participant
The red box in 2025
Octave Wrapper / Pitch Constrainer / Scale Limiter
Not sure how to term this but I’ve got something I’d like to try with a bass instrument (xrni):
I’ve got a couple of saw waves for the mids with the lows rolled off
I’ve also got a sine playing at the same time for the sub freqs
I’d like to be able to play all 8 Octaves with the saws, i.e. the main harmonic content of the bass
But I’d like the sine sub limited to a range (say C2–B3 for argument’s sake) so that if C4 is played it wraps back around to C2
I’ve got this to work through keyzones, but this requires the sine to be duplicated, which is fine really, but I wondered if there was a neater way to achieve this through modulation with keytracking or similar.
1 post - 1 participant
New Tool: Web-based OctaMED-to-Renoise converter
Hello everyone! This is my first post here and I don’t know if this is the right venue, but here goes:
My brother Al and I have created a web-based OctaMED-to-Renoise song converter, and hosted it online here: https://www.snappymaria.com/mmd-convert/
Does anyone out there still have old OctaMED songs in need of upgrading? (If not, you can stop reading this now…)
We did this in some free time we had over the break, mostly so that Al could port some of his old OctaMED music projects to Renoise. There’s no real documentation of it (other than this thread announcing it), it’s just a blank web page inviting you to drop a .med file on it and maybe get a Renoise .xrns file in return. The conversion takes place in the desktop browser window, so there’s no actual uploading of the music anywhere, it all happens locally on your own machine, usually quite quickly.
This doesn’t work with all the old tracker formats, just OctaMED’s uncompressed save files (MMD0, MMD1, and MMD3, and if you’re lucky MMD2 might just barely work). If you want some files to test it with, I have a few online. Al and I wrote a game called MegaBall for the Commodore Amiga way back in the 1990’s, and Al used OctaMED for all the game’s music, which is now publicly available here: https://bitbucket.org/emackey/megaball/src/master/MB_Music/
Give MBmus24.med a try, for example. Download the .med file, then visit the converter page, and drag-and-drop the .med file onto the banner requesting it, and it should give you its best effort to produce a similar-sounding .xrns Renoise file. It’s not perfect and there are no guarantees or warranties that come with this thing, it’s just a free-time side project.
The basic pattern of notes-in-tracks often survives the conversion best. The commands are trickier, as OctaMED has a very different set of commands than Renoise, but Al and I put together a translation table for ones that are the most similar. The converter will complain about commands that it doesn’t know how to translate, but will finish the conversion anyway. Commands for pitch bending and volume slides may work differently for example, so a song might need manual cleanup after the conversion if it does this kind of thing.
OctaMED also has 8-bit software “Synth” and “Hybrid” modes where synth instructions are applied to waveforms or samples. This stuff doesn’t convert perfectly, but basic synth waveforms are salvaged, and synth/hybrid volume commands are converted to similar Renoise instrument “modulation” volume envelopes. The MBmus24.med song has a few synth and hybrid instruments, which you can find in the converted result by looking through the Renoise sampler’s “modulation” tab for each converted instrument.
Anyway there’s our fun holiday project, I hope you like it! Let me know in the replies here if anyone actually starts using this, and how well that goes. Happy Renoising!
2 posts - 2 participants
Save wave as .txt
Any idea if this is possible ?
I tried saving it from the instrument editor , save as .txt but no luck
iI want to use these as table data in reaktor -plugdata
1 post - 1 participant
