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@neinMC wrote:

Hey you lovely Renoise fucks,

I wish you and yours all the best for 2020, with lots of health and joy and music! And with lots of making music, too, for that matter! Just do it.

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@ArturRembe wrote:

its something experimental here, i hope you like it.
Please for some feedback

how it sounds on your speakers?

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@dfast wrote:

Hey fellow Renoisers!

Released a new album called Lucy and the Moon, 9 tracks of both new and old instrumental beats, breaks, electronics and such, including my Mutant Breaks entry from few years ago. Available now on Bandcamp and Soundcloud, Spotify et al will follow a bit later. Hope you like it!

Album @ Soundcloud

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@toimp wrote:

Its currently not possible to create an overlapping of notes in a single note column to force a note glide for VST instruments, but i think it could be quite useful and make some stuff easier:

Not sure if we can add a new pattern effect for this or using an existing one. I tried to use the “Cut”-Track command for this with a higher value than the song tick rate, but it wasn’t working for me.

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@lain wrote:

Worked the YM2612 chip (Sega Genesis) and some Sine Waves into some cool FM sounds and a PLEB EDM beat. Obv all created in Renoise.

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@toimp wrote:

Would be nice to have this for pitchbend automations via pattern effects. Renoise could have an option, where we can enable it per plugin in the plugin settings with a min/max values for the pitch wheel, similar like in Bitwig:
(Pitch bend range)

Some rules could be:

• note off’s/internal note off’s resets the pitch bend
• slide up / down are just working in the pb range, which can be set in the plugin settings (user need to change the pitchbend range inside the plugin, too)

I think its possible to implement this.

When MPE support is planned someday, we would already have some fundamentalst for per note pitching.

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@chemeleon wrote:

I did another music. Wouldn’t mind some feedback before I continue. I still have another unfinished, but this one is way more fun.

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@Chainwallet wrote:

I dont get it I turn things down all the time but it seems like by the end of a song, every track has a compressor on it, some with two. any tips to maximize levels when using a lot of effects or plugins and multiple instances of the same sample?

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@cupcake wrote:

Hi,

Can anybody tell me why this code snippet is not firing notes in Renoise when run in the scripting terminal/editor:

local server, client ------------------------------------------------------------------------------- ---- Osc server (receive Osc from one or more clients) -- open a socket connection to the server if not server then local socket_error server, socket_error = renoise.Socket.create_server( "localhost", 8008, renoise.Socket.PROTOCOL_UDP) if (socket_error) then renoise.app():show_warning(("Failed to start the " .. "OSC server. Error: '%s'"):format(socket_error)) return end print('hit') end server:run { socket_message = function(socket, data) -- decode the data to Osc local message, osc_error = renoise.Osc.from_binary_data(data) -- show what we've got if (message) then if (type(message) == "Message") then print(message.pattern) rprint(message.arguments) end else print(("Got invalid OSC data, or data which is not " .. "OSC data at all. Error: '%s'"):format(osc_error)) end end } ------------------------------------------------------------------------------- -- Osc client & message construction (send Osc to a server) -- open a socket connection to the server if not client then local socket_error client, socket_error = renoise.Socket.create_client( "localhost", 8008, renoise.Socket.PROTOCOL_UDP) if (socket_error) then renoise.app():show_warning(("Failed to start the " .. "OSC client. Error: '%s'"):format(socket_error)) return end print('hit2') end -- construct and send messages client:send( renoise.Osc.Message("/renoise/trigger/note_on", { { tag="i", value=1 }, { tag="i", value=1 }, { tag="i", value=60 }, { tag="i", value=64 } }) )

It’s mainly copied from the OSC snippet in the xrnx dev package. I’ve looked at Duplex and xLib and all that, and see similar constructions. This fires the print statements, but will not play any notes.

Halp.

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@xhevahir wrote:

Hi, I’m not a Renoise user, but I was hoping it was possible to remap the note keys by relative pitch so that the tonic is always key [X], the supertonic [Y], the mediant [Z], etc. Am I to understand this isn’t possible?

P.S. I don’t mean forcing notes into a given scale (I want all the chromatic pitches to be available) or composing in C or whatever and transposing after the fact. I mean choosing a pitch as the tonic and having the QWERTY keys remapped accordingly. Is this not possible even through scripting?

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@dspasic wrote:

Hi guys, i just made some loop

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@mholloway wrote:

Hi friends,

In Renoise I can hold ‘shift’ and hit the spacebar and the sequence will start playing from wherever the cursor is.

When I’m working in Redux, in the phrases, this behavior doesn’t work. Spacebar always starts the phrase from the beginning, and holding shift has no effect. Am I missing some different key command in redux phrases? Surely there is a way, when editing a phrase, to listen to it from the cursor position rather than from the beginning?

thanks, -M

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@stoiximan wrote:

Hello people i hope you are having a wonderful time.I have a question for you!
I want to duplicate pattern 8 and 9 and keep them in the order they are.Whats the best way of doing that?Feel free to share any other tips regarding the pattern matrix.

drive.google.com duplicate patterns.PNG

Google Drive file.

duplicate%20patterns|438x213

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@rainydayshirts wrote:

New track on SoundCloud.

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@blue wrote:

Hi,

I have a personal project in the works which generates music based on user input and outputs the music in the form of MIDI files. The project is written in Python 3 and uses midiutil to create the output.

I only use MIDI as a way of previewing the music, but the goal is to create something that is compatible with Renoise for tracking and arranging.

I noticed that Renoise does import MIDI files pretty nicely, but none of the files I import have correct LPB or pattern length values. I’m assuming there is no way to control these within the MIDI file since they aren’t a part of MIDI, but if I’m wrong please correct me.

That said, I want to somehow make my program compatible with Renosie. The only two ways I can see this happening are (1) I create an intermediate format and write a LUA tool to import the intermediate format, or (2) find some API which can be used to create the XRNS files pragmatically. I can’t see myself writing directly to XRNS since the format seems very complicated and there’s no spec available.

It is looking like I’ll have to choose the former but I don’t want to since I’m not interested in learn lua, plus it’s a great deal of extra steps in the first place. Before drawing this conclusion I was hoping maybe someone here who knows better can confirm my reasoning? Is there no way to create XRNS files pragmatically, or to get MIDI and Renoise to work nicely with each other?

Thanks

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@Dex1 wrote:

(topic withdrawn by author, will be automatically deleted in 24 hours unless flagged)

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@toimp wrote:

Currently, scales are only affected by incoming notes and not for outcoming notes from phrases:
Auto-scales and phrases: which comes first? Help, Support & Bugs So: you have the auto-scale feature, right (not sure if that’s the right word for it) where you can select a scale, G major or whatever, and it will limit the range of notes that can be selected to the ones in that scale. What I’m wondering: if you create a phrase, how does that interact with the auto-scaling? Does it ignore it, or do the notes generated by the phrase get filtered by the auto-scaling in the same way as any other note would? Will auto-scaling filter out notes _before_the phras…

Would be nice, when we could have it for outcoming, too. So we could programming melody lines to play them on keyboard and it will be always in current selected scale.

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@Chris_Edberg wrote:

Like the title suggests, is it possible and if so where in the preferences can I assign these actions?

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@idem345 wrote:

When I Ioad up iZotope Neutron it only shows around 5 % CPU usage in Renoise. If I look up in Windows task manager it’s almost 40 %. How come that there is such a vast difference?

Vice versa, standard not so CPU hungry VSTs take up around 10% usage in Renoise while they’re only around 3 % in task manager.

Can someone explain this?

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@mholloway wrote:

Hi folks,

Wanted to see if the experience I’m having running Massive X in Renoise is the same for others. In Renoise only, I’m getting very choppy graphics on knobs most of the time. E.g. turning knobs – especially when sound is playing back from the synth – results in choppy UI graphics, that is, the knob doesn’t move smoothly at all, it moves in chunks. It doesn’t effect the sound at all, but graphically, it’s a mess.

Meanwhile, running Mx in Ableton Live 10, there are zero issues, the knobs all animate smoothly. So something seems to be up with Massive X + Renoise, at least on my system – iMac / OSX (low) Sierra.

if anyone has MX and can check this out as well, let me know what you find, thanks!

-Michael

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