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@Neuro_No_Neuro wrote:

For some, there’s a love of OPL3 FM synthesis (hopefully not just me). So, I’ve been fiddling around with the Milkywave waveform generator. It produces really pretty FM sounds, very OPL3. Yet, there was something missing for me. A sense of moment, however subtle it is, that the samples just couldn’t seem to produce. Never stopped me from using them, they’re still really neat for all kinds of stuff.

Today, I read about a Drawbar organ patch. Drawing from the idea, but not with pitch, I decided to use the Milkywave synth to generate “noise” samples as musical notes. They’re not noise, they’re pleasant tones. Using the “Loggy” noise generator, I produced 6 samples, each one with extra cycles within the 168 sample limit. Still musical, just additional harmonics.

I took those samples, each one has it’s own LFO, each LFO goes twice as fast as the sample before it. All slow LFO cycles, just for volume modulation. With all six samples each having their own LFO, and each sample having more harmonics than the next, you get a pad that has movement, “shimmer”, and the capability to turn each one up or down in volume to create all types of OPL3 pad sounds. Combined with a filter and a Lofimat for additional texture, you have a nice FM pad sound. Not true FM, but as close as I could get to a sound from my memories of 1995 using Cakewalk on my computer.

I took the same patch and took away the attack, for a playable piano-esque sound. Hope you can use 'em!

Micro-FM Evolving Pad.xrni (5.7 KB)
Micro-FM Evolving.xrni (5.7 KB)

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@gentleclockdivider wrote:

Altough you can input 255 lines as the maximum for line sync this is not true
At lpb 8 and 110 bpm , delay set to 128 , it will atually repeat at line 72.

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@jljosh02 wrote:

Here’s what I’ve learned so far, feel free to join in:

• this timestretch add-on is very useful for getting drones and field recordings to match your BPM and loop perfectly

• putting an mpReverb on instruments and setting the wet signal higher than the dry signal gives an easy and effective “washy” sound, especially when combined with heavy delay

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@Dry_Eyes wrote:

Check out my latest…

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@keiss wrote:

Hi there!
This ambient track is a symbiosis of Elektron Digitone and Renoise.
Track taken from EP “In the same place” by me.

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@Raul wrote:

I am in the process to acquire headphones for production, to expand my home studio. They are not to take away, just for the home studio. I have several medium quality headphones, two headband and other button headphones, but I need better headphones, exclusive to compose symphony orchestra music.

1. I have a budget between € 100 and € 200.
2. Good headband headphones closed, comfortable, and frequency response as flat as possible.
3. I will use them especially to produce with symphony orchestra, exclusively. So they have to be very valid for this genre.

Can anyone recommend me any specific model?
I would like to make a list of the best headphones in this budget that are valid for producing music.

On the internet there are several media that recommend the same headphones, from Sony, Audio Technica, AKG … But I want to make sure they are very valid for symphony orchestra.

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@Raul wrote:

The Arturia KeyLab mkII is a “bridge” tool to make these MIDI controller keyboards (KeyLab mkII 49, KeyLab mkII 61 or KeyLab mkII 88) compatible with Renoise.

In general, it enables all the extra buttons of the controller and converts the wheels and faders into dedicated controls for direct editing in the pattern editor and for navigation.

Activate the tool and go. The learning mode of MIDI mapping is not necessary! Turn this controller into something useful!!!

Development related thread: Tool development: Arturia KeyLab mkII 49/61 (MCU MIDI messages)

1. Start Renoise.
2. Plug the Arturia KeyLab mkII controler.
3. Turn ON the back switch of the controller. Make sure Renoise has detected it.
4. Launch the tool: Renoise/Tools/Arturia KeyLab mkII.
5. Turn ON the tool.
6. Done! Use your MIDI Controller in “Daw Standard MCU”.
7. You can put the tool window in the background or close it and continue using the controller. To deactivate the tool, set it to “OFF”.
8. Important: In Renoise/Edit/Preferences/MIDI/ “in devices” or “out device”, never use the “MIDIIN2(…)”, “MIDIOUT2(…)”!

1. Arturia KeyLab mkII v1.0.016, August 2019 (first release)

https://www.renoise.com/tools/arturia-keylab-mkii

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@DjToxi wrote:

Hello, I suggest recompile Renoise to run under ARM Linux devices like Raspberry Pi. I think the newest Raspberry Pi 4 has enough power for run Renoise. It feel like Atari with modtracker and Renoise will get more popularity, because Raspberry Pi is famous and lot of people use it. Raspberry Pi has not serious DAW. In this case the Renoise would has some native integrated synth becuase ARM Linux hasn’t any VST plugin ( I thnik).

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@Land_of_Bits wrote:

here its a short one …collab with a friend

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@Land_of_Bits wrote:

im working on this one now guys what you think

kick in the intro its a bit long cause im still figuring out what im going to use

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@Neuro_No_Neuro wrote:

Using the LFO on just about everything, I am curious to know if there is a way to round off the S&H edges so that they are a randomly-shaped sine wave, instead of a randomized square wave shape?

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@braisremeseiro wrote:

Hi,

Accidentally I save a song and now I would like to know if there is a method to go back to previous version of the same song. I mean if the file has an history of previous saves and they can be extracted. I am not trying to restore it with a backup that I has.

Please, Can you help me?.

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@si1n3rd wrote:

I haven’t found any topics about such a feature, so I decided to create one.
What about multiple keyzones layers for each instrument? I mean the possibility to create several layers that would be played separately depending on the playable MIDI channel or some other value. For example, I have audio samples of a violin separated by velocity and articulation. So I can easily add samples of different velocity to sample, but I can’t add different articulation layers and switch between them in some way. For example, in SFZ we can add such groups and switch between them with modulation wheel, some key switches (C0 - for staccato, C#0 - for tremolo, D0 - for sustain), etc.
What do you think about this? How is it easy to implement with current architecture?

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@joule wrote:

Once you place an LFO inside a doofer, it seems quite difficult resetting it in a controlled manner.

The macro knob seems to only react to value changes. Maybe a special case could be made for macros assigned to reset buttons, so that these triggers (like 2100 on a macro) won’t slip by? Or maybe this behavior with macros could be removed altogether?

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@Redman wrote:

Out of curiosity I was wondering how long a typical eurorack module lasts? Do they go for years with no issues or can some of them burn/fry themselves out with too much usage?

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@Kooshan wrote:

Ok i loaded a regular multisample instrument pad( mfm_padsynth_01) from the download section of this website and i’m unable to use it because whenever i play a chord renoise stutters and cpu usage goes insane . I ‘ m on win7 and running a very decent cpu(i7)
Have to say i have no problem with any daw here , what ever i do

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@stoiximan wrote:

Man these competitions are truly forcing me to make music.I hope you friends take part.This is the track i submitted.Be careful on the volume there are some nasty bass frequencies later on the track

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@Sajmund wrote:

Sync LFO, so that, when you adjust the frequency parameter, it stays within LPB
you know without the 2.34 and 8.56 etc… you know

1,2,3,4,5,6,7 etc LPB right?

And the quantizer, yeah

Yeah, like a real quantizer

So that if you put an, lets say, random LFO through the quantizer, you can quantize to scales and so on

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@stoiximan wrote:

Is it possible to record the loop markers from the sampler in the pattern editor?I want to record when i change the marker position, you know like when you right click on a device and the data goes to the pattern

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@liimo wrote:

Hi,

I have an Endorphin Shuttle Control that changes midi into CV for my eurorack. It supports a pretty wide selection of different inputs and works perfectly with for example a Digitakt that sends gates, v/oct, aftertouch and pitchbends.

I’d love to control it with Renoise to achieve a proper song mode. but I haven’t figured out how to transmit anything besides notes to v/oct. That obviously works, but it’s pretty clumsy and I’d love to use the graphic automation.

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