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@Same_Freaky_Sound wrote:

Just to help to spread info on their absolute clever controller.

Mine is designed for those DJs, producers, and musicians who are looking for a highly customizable, expandable and reconfigurable product. Mine is a modular midi controller consisting of a case suitable for accommodating modules made of single electronic interfaces in order to offer the maximum flexibility in the creation of its configuration. Solutions available on the market today don’t always fulfill the user’s needs.

http://queue.vip/Qr54OrH

DISCLAIMER:
I’m not related to this company at all, just proud that its an Italian company

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@Raul wrote:

Renoise 3.1.1 x64 W10 x64:

I think there is a small problem with the following case of aplication:

– Opens a modal dialog to query an existing directory from the user.
renoise.app():prompt_for_path(dialog_title)
-> [valid path or empty string]

There is no way to return nil or a boolean, or string “Cancel” to identify if the user presses the “Cancel” button.

The specific problem is that, apparently the return of an empty string (""), returns the path C:/, a valid path. The issue is that some form of being able to continue with the function without resorting to the empty string is necessary. What happens is that if you use the empty string to continue with the function, the “Accept” button will do nothing, if you use the empty string as a condition to continue with the function (if path == “” then …)

The expected thing would be, to return

1. non-empty string or empty string (both)
2. nil …or “cancel” string.

That is, it is not possible to use the empty string for the Cancel button. If so, the OK button will not be able to take the empty string as a possible route. It forces the user to change the route in the pop-up window, when it should not be like that. C: / is also a valid path to save folders.

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@Raul wrote:

I do not know if this matter is a forgetfulness or something that really works badly.

What happens:
The clock (top right) is always updated when changing lines in the pattern editor.
But if you enter a ZTxx or ZLxx effect, the clock is only updated when changing the pattern, but not when changing lines. Even if you clean all these parameters, it will not update per line.

This does not seem to affect the automation editor for BPM and LPB

The expected:
That the clock is always updated when changing lines, even if the parameters ZTxx or ZLxx exist.

Something related to this would be, if the API could have access to the clock data. It may be possible to build tools related to time, such as a time marker in the whole sequence, it would be very interesting.

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@chrissp wrote:

Is there any chance of Renoise supporting MIDI Polyphonic Expression (MPE) in a future version? Or is it already possible to use the current version of Renoise with VST instruments that support MPE and an MPE compatible controller?

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@cadence wrote:

Hi,

I wanted to create a simple dance music, that would also be good for a platform-type game. Nothing fancy here, so should be easy to listen to. Let me know if you like it

Cheers.

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@RiDylan wrote:

Renoise has a small break in the audio at the end of pages. Does anyone know what is the best way to optimize renoise and your computer so that this doesn’t happen? I’m using a 2012 13inch Macbook Pro, OSX v 10.9.5

2.5 GHz Intel Core i5

4 GB 1600 MHz DDr3

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@joule wrote:

renoise.Transport.song_length (renoise.SongPos) seems to return a line number that is off by one (+1).

Expected: should return the last possible songpos of the song.

Tested in Renoise 3.1.1 x64 under Windows 10 x64.

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@Neuro_No_Neuro wrote:

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@DVE42 wrote:

Well, little to say here.
First one is “Артём”, second one is “Encounter at Sengaku-ji (千角寺での出会い)”.
Both are seqenced in Renoise, “Artyom” is far more tracker-ish as I actually typed/played alot there, “sengaku” is far more recorded live, but the rhytm machinery is there.
Both tracks sit on soundcloud (can I embed here?), click the links to check them out.
Thanks for listening, glad to hear any comments of course.

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@Lincon wrote:

Hello everyone,
I’ve been using Renoise in a demo mode to see if the program suits me. Until now everything went perfect, but when I’m playing with a backing track and I press 3 or more keys on my keyboard the backing track stops to sound (but the keyboard plug-in doens’t). I want to use Renoise for live playing with my band and if I cannot use backings track at the same time that plug-ins to play it’s a deal breaker. Any solution?I’d like to keep using renoise I’ve made some python script to automate songs changes and everything else was working awesome.Thank you!

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@joule wrote:

Short description: Another workflow tool, allowing the user to type values/formulas in column names. These will have effect when new notes are entered in the column (kind of like “default values”).

Some examples, from simple to more complex:

Last example would introduce some randomized drag/push on all notes entered, except the ones placed on every 8th line.

Note 1: The formulas are only executed when the cursor is placed in the actual note-string column during editing, allowing the user to tweak subcolumns without the tool altering any data.
Note 2: Regarding values: 0x0A == 10 == “0A” == 0xa
Note 3: An editor is available in the pattern editor context menu, if you want to use it instead of the column name field when doing something complex.

It’s bytecoded, so maybe it only works on 64-bit for now.

joule.no0b.FormulaOne.xrnx (6.9 KB)

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@LofiMat wrote:

DNOiZr // Doofer

Its a simple Noizeshaper moddeled // inspired // named after another plugin in from berlin. I found it usefull as it worked out inside Renoise because it adds some LoFi to digital cold sounding synths or clean drums in a good and simple way. It somehow sculptures the Noize around the sound, very similar to the Noize Arcade Plugin.
So happy easter from me!

Manual:

BiTZ - Bitdepth
FREKZ - Samplerate
WETT - Wet Mix / Noise
DRYY - Dry Mix / Signal
ATTAKK - Attack / Noise “Attack”
DKAYY - Decay / Noise “Release”
NOiZ - Amount / Noise (L=Max/R=Min) “Sensitivity”
“Hidden Menue” - “Signal Follower”
Scaling = Curve
LP Filter - Input Signal
HP Filter - Input Signal
L R / L+R - Input Signal
Lookahead - 0.000 ms
“Hidden Menue” - “LofiMat”
Smooth (Button) “Color”

Download:

DNOiZr.xrdp (5.9 KB)

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@gentleclockdivider wrote:

All of a sudden , renoise is behving really poor and laggy when recording realtime from the computer keyboard
Recording 16/32 th notes while spectrum analyzer is on , the recording becomes poor and laggy …doesn’t matter if I use vst instruments or midi out
I am using an intel i5 with dedicated amd graphics card …

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@jljosh02 wrote:

Here’s an IDM breaks song I made, named after an art piece my girlfriend did and also inspired by her in general. Other inspirations included μ-Ziq’s Hasty Boom Alert and King Harvest’s Dancing In The Moonlight. Feedback is welcome.

Mega Super School Girl Snake!

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@Dry_Eyes wrote:

My tribute to my favorite old school modules, most specifically by Dr. Awesome and 4mat, although I don’t completely ape them or anything. Features the same style samples from 80s and 90s synths used in old school mods. Thirteen and a half minutes long! Enjoy, and tell me what you think!

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@Evert_Jonker_Trackah wrote:

Always cool to see (and listen)

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@imapeppertoo wrote:

By chance would anuyone have an idea on veiwing the exact points in the sampler, with a note at the beginning of the pattern till the end, and have a clear view of the entire sample being played and only that part, so i can zoom in and get a loops exact bpm quickly, and be able to cut it right on those points?

I am thinking it would be preferable to see the play-line in the sampler kind of fade out, like a tracer or a trailing color to indicate the points for note on(sample start) and note off(sample end)
that and I think it could be aesthetically pleasing.

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@TheDamnChicken wrote:

Tried my hands on orchestral. Apart from some weird Kontakt crashes, I think it went pretty well. Enjoy!

Keep on renoising!

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@dspasic wrote:

Hi,
Is there a way to group 2 (or more) separate patterns into one?
(for example verse 2 + verse 4)

Thanks

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@trueschool wrote:

Often I’m writing a hiphop-style track where I need to cut out most of the instruments for the last bar of a pattern – say lines 48-64 – so you get that nice breakdown feel at the end of a bar. I want to select the last bar of the pattern across multiple tracks and easily cut the volume to zero, then back up to 100% for the start of the next pattern. It’s also called a “band tacet” if you’re familiar with that term.

I know there are a lot of ways to do this, but none seems to be much more efficient than the others. I can either:

• Use 0Mxx to set the Sample Volume to 0 on each note to silence it, and repeat for every note in each track.
• Use 0Lxx to affect the whole track volume. This had unexpected effects on the overall track volume so I quickly abandoned this approach.
• Select all notes in the area I want to remove and Cmd+X to cut them out of the pattern (what I usually do).
• I thought there was a way to right-click on the track “Mute” button while in record mode and record an automation to mute the track. This hasn’t been working for me when I’ve tried it.

This is such a common move in music making, I figured the community would have some good suggestions on this. How do you handle this?

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