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Today I realized that Device Chains and Effect Chains are both saved as xrnt files. But they are not necessarily saved in the same places. The drop down in the top right corner of the Sampler Effects section directs you to the Effect Chains folder in the User Library. But saving a Device Chain by right-clicking and selecting Device Chain / Save As… takes you to your most recent active folder, or something, but at any rate NOT necessarily the Effect Chains folder.

So Device Chain xrnt files could be saved in a separate directory than Effect Chain xrnt files.

Is it important to store Device Chains separately from Effect Chains? Is it important to store all xrnts together? Does it depend on how they are being used?

Thanks!

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hi, i’m wondering how to copy a doofer via scripting so that it is 1:1 all contents, all settings, all “within-doofer-devices”?

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Hey all
Had a major computer fail and had to wipe everything. When I went to Backstage there were no options to download anything. I have Renoise paid through 4.2 but cant seem to see any builds, only the option to upgrad.
That didn’t seem right. would love any help.

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I’ve made a polyphonic version of mutable instruments plaits in plugdata , using the ported code ( ported code not done by me )
It’s worth having plugdata for this alone
Make sure the patch and subpatch loaded in the clone instance are ins the same folder .
The controls depend on the chosen algoritm , just like the hardware
Cpu use is verry (verry ) low compared to poly versions in vcv rack while sounding exactly the same .
The patch is mutable_2
and the patch inside the clone object is emilie_2_clo
Have fun , it sounds amazing

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I’ve never seen this tip here on the forum, and it’s not something available in the default options. You can use the Pattern Matrix in horizontal mode by editing the Config.xml and setting the <PatternMatrixOrientationFlipped> option.

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Not sure how tricky this would be, but it’d be nice if the plugin’s bottom bar (and maybe even the top one) used Renoise’s native UI, kind of like how FL Studio does it. Right now it’s using the old win32 UI, which doesn’t support dark mode.

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Lisa mariana ＸＸＸ ｐｏｒｎ Videｏ Orginal Full Hot Ｓｅｘ Videｏs
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Max is fun and it 's get even more fun when using the jit cellblock for a tracker feel approach

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Hi! I just wanna recommend a VST that still is unknown to most people:

Parawave Rapid is a beast of a synthesizer. I use it several years now. It’s a very versatile synth with a big bunch of awesome features.
In my opinion it’s better than Pigments, Massive X, Vital, Avenger 2, Serum, etc. I even would say better than Serum 2 because you can do things in Rapid that are not possible in Serum/Serum 2.
It’s even 8x multitimbral and very CPU friendly.

This VST is still quite unknown because the manufacturers don’t have good marketing strategies and do not advertise it much. But it’s one of the best VST synths i ever used. It’s even my go to synth for a long time now.

https://parawave-audio.com/index.php?route=product/rapid

RAPID Synthesizer - Colorful Sounds

RAPID - Factory Sounds (Demo Showcase)

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Hi,
is there a possibility of improving the following feature

~in following scenario:
having reverb tail cutoffs cause clicks and pops (messing with the plugin preference didn’t improve too much). Only mpreverb does not introduce clicks and pops when used.

Can we eliminate click/pop here (assumption: by using minimal fade in/out) when using generic reverb plugins? (sonnox reverb, relabdevelopment lx480, TC vss3, toneboosters reverb, you name it)

no daw has this feature this easy available. It’s awesome and i just recently discovered it

Thanks

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Hi,
can we have automatic sync for light/dark theme which will follow OS settings? (eg, half of day it’s light theme, then it goes dark)?

user should specify which theme should represent default light, and another as default dark?

using mac, not sure if this makes sense for win/linux world

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When editing a custom LFO shape, say a ramp down, I can drag a red square on the waveform to change if it’s straight, convex or concave. Is it possible to modulate that little square and allow me to change the convexity/concavity of the shape throughout my song? If not, how can I try and approach this? My main goal is to open a filter and close it back down, and I’m loving the sound of doing it through changing my LFO shape’s, well, shape.

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Hi there,
just want to know if it`s still not implemented to have midi support in the effect vst section and only in the instrument vsts. and if so will there a renoise update fixing that?
thank you in advance

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I was working on this track every day starting at 5 am up to 6 am. It took me a few days to finish this track.
I hope you can feel this atmosphere.
Of course this track has been made in Renoise + VST instruments like Acid, Serum 2, etc…

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Scaler 3 works wonderfully in RENOISE.

Keep in mind that they’re still ironing out bugs… but you can do some cool things.

Here’s a mini orchestral example…

Scaler 3 v1.0.4 Mini Mockup

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Hello everyone, i was wondering if someone can help with connecting (if possible) the Mpc One (running on mpc3 software) with Renoise? I cant get it working properly … no 2 way connection. Renoise can see the audio engine from the Mpc One. Is there a way i can get this working properly?

Thank you all in advance

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Okay I have loaded a sample into renoise looped it set the length on Track 1 and its looping nicely . I have copied this for 4 times in total the sample is on track 1 and I now want to add at a drum loop for say on track 2 and then play both the original ambient loop and the drum beat loop but now BOTH play at the same time all the time …its doing my head in … why cant I just have an ambient loop say for four bars and then that loop and the loop with the drumbeat and the ambient pad for bar part block 5 etc.

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@taktik

Hi Taktik!
It’s been quite a while since the last update and I just wondering, how are you doing and your plans of upcoming Renoise releases.
Is it possible to share a bit of information around Renoise future?
Thanks a lot!

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Is there a reason why not? I’m curious because I have a tool that respond to this selection so it would be nice with consistency. Maybe there’s some sort of workflow reason behind it?

auto selection

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hi, here are two import hooks.
One is for .REX - the legacy ReCycle format (no, not .RX2). We used to have this made by @mxb working on v2.8 - but it did not remove the headers before the slices, leading to manual work.

One is for .PTI - the Polyend Tracker Instrument format.

so Before:

You can download this tool in it’s current form from

Renoise is a digital audio workstation. It lets you compose, edit and record production-quality audio using a music tracker-based approach. It features a wide range of built-in audio processors, alongside support for all commonly used virtual...

These two Import hooks are also a part of Paketti ( Paketti | Renoise ), fully integrated into the mix.

1. Support for Loopmode detection (off, forward, reverse, pingpong)
2. PTIBreaks are now opened properly, i.e. if a wavefile has 50% audio and 50% silence - then the audio is clipped to half, and slices recalculated to match the actual wavefile content.
3. Wavetable support - will detect what the wavetable position + window is, assign 00-7F volume for that, and also extract every single other wavetable into the instrument, but muted (Keymapping 00 Velocity) + retains the original full-length sample too.

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